Analysis of Shakespeare's Sonnet 18: Structure, Literary Devices, and Themes, Study notes of English

Download Analysis of Shakespeare's Sonnet 18: Structure, Literary Devices, and Themes and more Study notes English in PDF only on Docsity! 1 LECTURE -8 SHAKESPEARIAN SONNETS SONNET - 18 Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd; And every fair from fair sometime declines, By chance, or nature's changing course, untrimm'd; But thy eternal summer shall not fade Nor lose possession of that fair thou ow'st; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou grow'st; So long as men can breathe or eyes can see, So long lives this and this gives life to thee. Analysis Of Sonnet 18 Line by Line Sonnet 18 is devoted to praising a friend or lover, traditionally known as the 'fair youth', the sonnet itself a guarantee that this person's beauty will be sustained. Even death will be silenced because the lines of verse will be read by future generations, when speaker and poet and lover are no more, keeping the fair image alive through the power of verse.  The opening line is almost a tease, reflecting the speaker's uncertainty as he attempts to compare his lover with a summer's day. The rhetorical question is posed for both speaker and reader and even the metrical stance of this first line is open to conjecture. Is it pure iambic pentameter? This comparison will not be straightforward. This image of the perfect English summer's day is then surpassed as the second line reveals that the lover is more lovely and more temperate. Lovely is still quite commonly used in England and carries the same meaning (attractive, nice, beautiful) whilst temperate in Shakespeare's time meant gentle-natured, restrained, moderate and composed. 2  The second line refers directly to the lover with the use of the second person pronoun Thou, now archaic. As the sonnet progresses however, lines 3 - 8 concentrate on the ups and downs of the weather, and are distanced, taken along on a steady iambic rhythm (except for line 5, see later). Summer time in England is a hit and miss affair weather-wise. Winds blow, rain clouds gather and before you know where you are, summer has come and gone in a week.The season seems all too short - that's true for today as it was in Shakespeare's time - and people tend to moan when it's too hot, and grumble when it's overcast.  The speaker is suggesting that for most people, summer will pass all too quickly and they will grow old, as is natural, their beauty fading with the passing of the season.  Lines 9 - 12 turn the argument for aging on its head. The speaker states with a renewed assurance that 'thy eternal summer shall not fade' and that his lover shall stay fair and even cheat death and Time by becoming eternal.  Lines 13 - 14 reinforce the idea that the speaker's (the poet's) poem will guarantee the lover remain young, the written word becoming breath, vital energy, ensuring life continues. Literary Devices in Sonnet 18 With repetition, assonance, alliteration and internal and end rhyme, the reader is certainly treated to a range of device that creates texture, music and interest. Note the language of these lines: rough, shake, too short, Sometimes, too hot, often, dimmed, declines, chance, changing, untrimmed.  Assonance and repetition. There are interesting combinations within each line, which add to the texture and sounds cape: Rough/buds, shake/May, hot/heaven, eye/shines, often/gold/complexion, fair from fair, sometimes/declines, chance/nature/changing, nature/course. Life is not an easy passage through Time for most, if not all people. Random events can radically alter who we are, and we are all subject to Time's effects. In the meantime the vagaries of the English summer weather are called up again and again as the speaker attempts to put everything into perspective. Finally, the lover's beauty, metaphorically an eternal summer, will be preserved forever in the poet's immortal lines. And those final two lines, 13 and 14, are harmony itself. Following twelve lines without any punctuated caesura (a pause or break in the delivery of the line), line 13 has a 6/4 caesura and the last line a 4/6. The humble comma sorts out the syntax, leaving everything in balance, giving life. Perhaps only someone of genius could claim to have such literary powers, strong enough to preserve the beauty of a lover, beyond even death. Sonnet 18 Language and Tone Note the use of the verb shall and the different tone it brings to separate lines. In the first line it refers to the uncertainty the speaker feels. In line nine there is the sense of some kind of definite promise, whilst line eleven conveys the idea of a command for death to remain silent.