Film Editing and Sound Design: Terms and Concepts, Quizzes of Communication

Download Film Editing and Sound Design: Terms and Concepts and more Quizzes Communication in PDF only on Docsity! TERM 1 Linear Editing DEFINITION 1 the process of selecting, arranging and modifying the images and sound recorded on videotape in a predetermined, ordered sequence.This is obsolete in the 21st century TERM 2 Nonlinear Editing DEFINITION 2 Editing in which a project can be altered and arranged in post-production in any order, without destroying the footage or tape TERM 3 3 Basic types of visual transitions DEFINITION 3 1. Cut2. Dissolve3. Fade TERM 4 Straight Cut DEFINITION 4 Most common type of cutThis cut is typically used to join shots where there is no change of narrative time or place involved. TERM 5 Fade DEFINITION 5 Type of cut that often indicates a substantial change of time or space TERM 6 cross-cutting DEFINITION 6 Important form of parallel action is cross-cutting, in which the editor goes back and forth, typically with increasing speed toestablish action occurring at the sametime in twodifferentlocations TERM 7 Continuity Editing DEFINITION 7 A style of cutting that emphasizes smooth and continuously flowing action from shot to shot. It makes it easier for a viewer to understand a sequence. TERM 8 Principles of Continuity Editing DEFINITION 8 Matched cut (matching to the master shot, the eyeline match), 180 degree rule, the shot-reverse-shot series TERM 9 Master Shot DEFINITION 9 Shows the spacial layout of a scene.Typically filmed first, with all the action in the scene from beginning to end photographed from this position. TERM 10 Shot-reverse-shot-series DEFINITION 10 the camera is positioned over the shoulder of one character and then, in the revers shot position. The series of alternation compositions is a standard method for filming dialogue scenes. o Casablanca used both of these o Silence of the lambs this lets the audience make assumptions of the space being used (FBA outside of house, people are at different house. We assume it is the same place) TERM 21 Sound perspective DEFINITION 21 Designates the ways that sound conveys properties of the physical space used on screenA sounds position in space as perceived by the viewer given by volume, timbre, and pitch TERM 22 Sound Bridges DEFINITION 22 When the scene begins with the carry-over sound from the previous scene before the new sound begins. TERM 23 Off-screen sound space DEFINITION 23 Can be recorded separately from the image or at the moment of filming. Sound source depends on numerous technical, economic, and aesthetic considerations, each of which can affect the final significance of a film. TERM 24 Film Noir DEFINITION 24 Dark film, a genre coined by French critics for some American films with low key lighting and latitude usually conveying a solemn mood. Still in use to refer to moody films, often detective films. This term refers both to the visual style and the story. The classic phase of film noir is found is the 1940s and 1950s TERM 25 Gangster Film DEFINITION 25 Mob films - or gangster films - are a subgenre of American crime films dealing with organized crime, often specifically with the Mafia. Characteristics: the films may carry important social messages: their narratives often involve a rags-to-riches story; the films are critical of society's obsession with wealth and materialismFlourished in sound era.3 Films representing the mature flourishing of the genre: Little Caeser, The Public Enemy, Scarface TERM 26 Bonnie and Clyde DEFINITION 26 Director: Arthur PennEditor: Dede Ellen TERM 27 The Conversation DEFINITION 27 Director: Francis CoppolaSound designer: Walter Murch (wrote music before filming he movie) o Surveillance camera; switching between objective subjective sound; double removal; resolve narrative twist (used two different readings of the same line of dialogue) TERM 28 Double Indemnity DEFINITION 28 Director: Billy Wilder Screenwriter: Raymond Chandler TERM 29 Goodfellas DEFINITION 29 Director: Martin Seorsese