Faculty Senate, Exams of Sculpture

Download Faculty Senate and more Exams Sculpture in PDF only on Docsity! 1 Proposals are due in the Faculty Senate office, 140 Rawl Annex by 12:00 noon on January 16, 2018. #2018- ______ East Carolina University Faculty Senate 2017/2018 RESEARCH/CREATIVE ACTIVIES COMMITTEE Application Cover Page for a 2018 Research and Creative Activity Award 1. a. Name: __________Hanna Jubran b. Department: _______School of Art and Design c. Academic Rank: _____Professor 2. Proposal Title: ___3D Printing & Electroplating Metal Polychrome Sculpture __________________________________________________________________________________ 3. Type of Award (check one) a. Stipend of Research/Creative Activity _____ b. Project expense only ___XXXX__ c. Stipend and Project Expense _____ d. Amount of project expense money requested: Total:$5,718.44___ 4. This proposal best fits which of the following categories: (please check only one) a. Arts and Humanities __XXXXXX___ b. Health Science _____ c. Natural Sciences _____ d. Social Sciences _____ 5. Type of Faculty position (check all that apply) a. Full time, tenured __XXXXX___ b. Full time, tenure track _____ c. Clinical _____ d. 12-month contract _____ 6. If your project requires human subjects protection (IRB) approval or animal welfare (IAUCU) approval, please check the appropriate item or mark not applicable. Project requires approval from _____IRB, _____IACUC, __XX___Not Applicable 7. | understand and accept the terms and conditions set forth in the Research/Creative Activities Committee guidelines. a. | understand that | must file a final report of the results of the project with the Faculty Senate office no later than September 15, of the year in which the award terminates. b. | understand that publication, presentation, performance, or exhibit of work resulting from support of this project by ECU must carry a printed acknowledgment of this financial assistance by the University. c. |understand4hat if selected, receipt of funding is contingent upon receiving approval from IRB or Anima)Zare Committee by June 1 of the award year. Smo VO LLO/P ate - No Signature of Unit Head Dats 9. Dates of previous University grants, final reports filed, publications, presentations, performances, external funding proposals, or related activities, including citations or publications directly resulting from each grant. (section may be expanded in length) 10. List current grant/contract support and pending applications. Include project title, sponsor, your role in the project (PI or co-Pl), the project period, award status (pending/current) and total funding level. Include in particular any current or pending funding related to the proposed research. (This section may be expanded in length.) 11. If funded, may the Faculty Senate Office provide copies of your application by email request as a model for prospective ECU applicants? (Your answer will not be a factor in the Committee’s decision to recommend funding for your proposal.) . eves Ono  5 May This time will be devoted to developing 20-40 drawings 8”-16” of different spherical forms to develop my sculptures. June -July I will generate a wide range of Plastic 3D Printed sculptures. August –September I will make twenty 3D printed sculptures and prepare the work for electroplating and patina along with photographing and sending images to various juried and solo exhibitions. Expected outcomes and benefits I am conscious of the impact these sculptures will carry. The general sense of change and number within the new work relates to my growth and expression as an artist/teacher at the present time. I am confident that this research would result in a successful new direction in artistic identity. The viewer will regard the work as a contribution to the ECU students and the contemporary art/sculpture community because of the exhibitions, the aesthetic value, the conceptual impact and the longevity these materials posses. Using the results of my research, I will continue to give lectures workshops and demos at conferences on the process both nationally and internationally. I feel the work is ready for major changes in numbers and complexity. My resources, together with the grant, will provide an appropriate base for my proposed research. Because of the high cost of this project, I feel it would be best to target the grant fund towards my supplies and materials necessary for the development of the project. I am a firm believer that the only way to improve myself as an artist is to produce a great deal of artwork. 6 Budget for 2018/2019 Project Expense Grant These materials are a vital necessity for the production of the sculptures. Research Supplies: 30 Amp Constant Current Rectifier 0-30 $499.00 Nickel/Acid Copper Combo Kit - 15 Gal $2,528.99 Bronze Plating Kit - 4.5 Gal $370.99 Copper Conductive Paint - 1 Pint $141.99 Copper Conductive Paint - 4oz $43.99 Brass Plating Kit - 4 Gallon $604.99 Duracoat Gloss Clear 4oz $26.50 Nickel Conductive Paint – Make 3D printed parts plateable $59.99 Total: $4,276.44 Chemicals for Patina: Price Qty. Total Birchwood Casey Patinas (BIR01GA15) Size: 1 gal. Color: A15 Class: Liquid $134.00 $134.00 Rainbow Patina (TRB01GRBW) Size: 1 gal. $69.00 $69.00 Traditional Black Patinas (TBK32ZSTA) Size: 32 oz. Color: Stainless Black $37.00 $37.00 Traditional Blue Patinas (TBL32ZCNT) Size: 32 oz. Color: Cupric Nitrate $29.00 $29.00 Traditional Brown Patinas (TBR01GDBR) Size: 1 gal. Color: Deep Brown $69.00 $69.00 Traditional Green Patinas (TGR32ZJAD) Size: 32 oz. Color: Jade Green $29.00 $29.00 Universal Patinas (UNI32ZBUR) Size: 32 oz. Color: Burgundy $29.00 $29.00 Vista Patinas (VIS01GGRN) Size: 1 gal. Color: Green Nonferrous $75.00 $75.00 Metal Rub (RUB08ZBRO) Size: 8 oz. $19.00 $19.00 7 Color: Darkened Bronze Metal Rub (RUB16ZCOP) Size: 16 oz. Color: Darkened Copper $34.00 $34.00 Metal Rub (RUB16ZBRA) Size: 16 oz. Color: Darkened Brass $34.00 $34.00 Ever-Clear (ECL01GGLS) Size: 1 gal. Shine: Gloss $162.00 $162.00 Metal Degreaser and Descaler (SUR01GMDD) Size: 1 gal. $27.00 $27.00 Super Kit (KITSUPERX) $695.00 $695.00 Chemicals for Patina: $ 1,442.00 Electro plating Kits: $4,276.44 Total: $5,718.44 Final Reports for Research/Creative Activity Award My Journey: My Reflection of Aerial Landscape 05-06 Hanna Jubran Project Summary: I have made great strides in producing and exhibiting my aerial landscape wall relief sculptures during the activity grant (summer stipend) period. This body of work will continue to be exhibited regionally and nationally from the month of April 2006 to present, I have produced 20 wall relief sculptures. I was successful in creating a series of shows with my work. These shows are listed at the bottom of my report. The objective of my research activity grant was to investigate creating wall relief sculptures of my travels using stainless steel, copper and brass. I experimented with different methods of attachment as well as patina and color enhancements. These tests and methodology have proven to be a great asset to my work and the results were very successful in the direction of combined materials for my work. These tests have made it possible for me to achieve consistent results. My methodology consisted of: 1-Using my travel photographs or aerial landscapes; I transformed these images into broader abstract forms in cardboard as a first step. 2-Then I made several tests with the materials in regards to attachment and surface treatments. 3-Next step was creating several small-scale combination copper, stainless steel and brass wall reliefs. 10 Grant Money: $9,500 – 35 sheets of Stainless Steel – 50 – 1//4” Stainless Steel rods – 10 angle stainless steel My contribution: $500.00 Silica Sand - $3,000.00 bronze - $700.00 transportation - $400.00 slides and posters - $2,500.00 tools and Misc. Supplies - $600.00 Assistance/help Art for the Visually Impaired 1998 Hanna Jubran I have made great strides in producing and exhibiting a body of work for the visually impaired during the activity grant (summer stipend)period. This body of work for the blind, will be shown nationally and internationally. From the month of May 1998 to present, I have produced eight wall reliefs and ten bronze and soapstone sculptures. I have several contacts and feel confident in creating a successful series of shows. A great deal of time has been spent e-mailing and phone calling. It was also necessary to learn and experiment with Braille writing. The Braille writing will be used for messages on the work as well as texture, to make a strong impact. I am pleased to report a scheduled show of my work for the blind that will take place in Cologne, Germany October 1999. I plan to install the show myself and help with the development of a suitable poster to attract my chosen audience. This poster will include acknowledgment of financial assistance from the research/activity grants committee. Although this work is meant to solicit the blind it will be equally interesting to the general public. I have enclosed some slides of the work that will be a part of this show. Research continues and plans are culminating for this show and I have found the work inspiring for me and a new interest to others. I will incorporate these experiences into my teaching and give a slide presentation to my students and the public. A portion of the work I have thus created, has been exhibited in Milwaukee, Wisconsin at the Art Elements Gallery. This show was not primarily based for the blind, but I incorporated discussions with the patrons that the intention for these will eventually be to expand my audience to the blind. I am working on the possibility to show this body of work at Duke University. I am still working on the dates this can occur and how their gallery space will enhance my attempt at attracting my intended audience. I have also produced several new wall relief sculptures that will be incorporated in my traveling exhibition and will have their first showing at the Greenville Museum of art in Greenville, North Carolina. The work will also be shown at the Mendenhall Student Gallery and the outer banks in Nags Head. The Nags Head show will coincide with their annual visually impaired conference October 14,1998. The specific aim of my proposal is to develop and establish a traveling exhibition for the visually impaired. I have met all the goals that I put forward for myself during this time span. I would like to take this opportunity to thank everyone involved in the selection process for considering my grant proposal. Because of your support, I was able to make a difference in my artistic research in regards to creating an audience of the visually impaired. As Petea A. Angele once said,” To be humane is to tap powers within me and use them wisely both for my benefit and for the benefit of the community.” Thank you again. Sincerely, Hanna Jubran 11 Bronze Castings As Plan As An Experiment 95-96 Hanna Jubran Project Summary: The objective of my research activity grant was to investigate some of the new bronze casting techniques in industry in relation to experimenting with bronze and stone combination sculptures. My research included experimenting with all of the commercially produced mold materials for the casting of bronze. Some of the casting methods I tested were, sand molds, ceramic shell molds and traditional plaster investment molds. These tests and methodology have proven to be a great asset to my work and the results were very successful in the direction of casting bronze to fit stone carved pieces. These tests have made it possible for me to achieve consistent results in the surface of the bronze, keeping shrinkage of the bronze to a minimum but also retain the strength of the bronze. This in turn, will speed the process of finishing with patinas and polished surfaces with a minimum of physical effort. My methodology consisted of: 1-locating a readily available and cost efficient material to use as the mold matrix. 2-making several tests with the material in regards to strength and surface results. 3-creating several small scale combination bronze and stone sculptures using the best mold and casting methods. 4-creating seven large scale combination bronze and stone sculptures from the small pieces used for models. 5-the final stage consisted of repeating what I learned through my tests on the large combination sculptures using the method of bonded sand molds. This research benefited students who watched the process, teachers who may use these techniques and other artists I have come in contact with (through my exhibitions and workshops). In accord with my models (using the bronze and stone combination technique I designed)of the smaller scale, the results of my creative effort was successful. This success is shown by my exhibitions of this work and awards that I have received. These combined bronze and stone sculptures were represented at the following shows by one art work or more: Exhibitions: 1998 Two person Exhibition of bronze and marble Sculpture (October 16-November 12) Craven County Arts Center New Bern, NC 1998 Solo Exhibition of Bronze and Marble Sculpture (January 6-March 11) Berea College Art Department Berea, Kentucky 1998 Solo Exhibition of Bronze and Marble Sculpture (November 15-December 15) Greenville Art Museum Greenville, NC 12 1997 Solo Exhibition of Bronze and Marble Sculpture (August 16-September 21) Ghost Fleet Gallery Nags Head, NC 1997 Solo Exhibition of Sculpture and Bronze Wall Relief (September 2-October 3) Goldsboro Art Council, Goldsboro, NC 1997 Solo Exhibition of Bronze Casting Sculpture and Stone Carving Kinston Art Center Kinston, NC 1997 Sculpture Exhibition Eight Marble and Bronze Sculptures (March 3 - April 3) Lee Hansley Art Gallery Raleigh, NC 1996 One Person Exhibition Eleven Wall Relief Sculptures and Seven Marble Carvings Mendenhall Student Center Gallery East Carolina University Greenville, NC National Competitive Exhibitions: 1997 National Juried Exhibition 97’ (May 3 - May 27) One combined marble and bronze sculpture New Milford, NJ 1997 The Frank Stick Memorial Art Show One combined bronze and soapstone sculpture Nags Head, NC Received Merit Award With this Research/Activity Grant , I was able to purchase all the materials for my sculpture experiments and final pieces. These supplies include, 2000#’s of bronze at $4,006.00, four tons of granite at $2,732.00 and various tools/supplies at $762.00. My personal expense for the project was $8,500.00 at it’s completion. I have met my desired goals. I would like to thank everyone involved in the selecting me for this grant. Because of your support, I was able to make great strides in my artistic research, my application to teaching and my work as an artist. 15 East Carolina University Faculty Senate 2017-2018 RESEARCH/CREATIVE ACTIVIES COMMITTEE Checklist for a 2018 Research/Creative Activity Award This checklist must be submitted with the proposal as the last page. I. Please check that you qualify for a Research/Creative Activity Award: x full-time tenured or tenure-track member at ECU x not currently a candidate for an advanced degree x not a fixed-term or part-time faculty member x completed all previous Final Report forms (If unsure, please call the Faculty Senate office at 328-6537 for verification.) II. Please check that you qualify for a stipend for research/creative activity if requested. x do not hold a 12-month contract III. Please check the following proposal requirements: x Application Cover Page, including: x Applicant’s name, school department, academic rank x Proposal title x Type of award x Amount of project expenses, as applicable x Tenure status x 9-month or 12-month IRB/animal approval x Applicant’s signature and date x Applicant’s unit head’s signature and date x List of prior research/creative activity awards received List of current/grant contract support and pending applications x Narrative formatted along guidelines x Abstract x Description of proposal (5 single-spaced pages maximum including abstract) Literature cited, if appropriate Appendices (4 pages maximum), if appropriate x Budget, if appropriate x Justification for support (2 page maximum for budget and justification) x Vita or Biosketch (2 pages) x Proposal checklist 16