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Cajun and Cuban Music: Origins, Cultural Revival, and Influences - Prof. Thomas Faux, Study notes of Music

The origins and cultural revival of cajun and cuban music, focusing on key figures, instruments, and styles. Topics include the influence of acadia on cajun culture, the role of amédé ardoin and celia cruz, the importance of the back beat and clavé rhythms, and the impact of the balfa brothers and fania record company. Students will gain insights into the history and evolution of these unique musical traditions.

Typology: Study notes

2009/2010

Uploaded on 11/01/2010

amviola
amviola 🇺🇸

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Download Cajun and Cuban Music: Origins, Cultural Revival, and Influences - Prof. Thomas Faux and more Study notes Music in PDF only on Docsity! Acadia: old name for Nova Scotia. The word Cajun comes from this. Amédé Ardoin: Creole/Cajun accordion player who had a horrific end to his career Americanism: idea that there is a mainstream American. Started between WWI and WWII with the marginalizing of immigrants to get white, English-speaking protestants Arsenio Rodriguez: blind tres player from Havana, Cuba Assimilation: desire to become mainstream Back beat: essential beat of rock n roll. 4 beat pattern with emphasis on beats 2 and 4 Balfa Brothers: 1950s, returning GI’s who breathed life back into the Cajun culture. 1964: perform at Newport Folk Festival Batá: sacred drum of the Santeria which is played in groups of 3 Bongos: pair of small drums Cajun: Cajun cultural revival: linked to the balfa brothers, after WWII when the revival of Cajun culture took place Canto: the 2nd section of Rumba which consists of the song part Celia Cruz: female Cuban band leader/singer in the 1950s Chanky-chank: early rhythm of Cajun accordion. Means old fashioned Clavé: pair of sticks used in Cuba. Is the essential rhythm of Cuban dance music Clifton Chenier: played the piano accordion and was the originator of Zydeco music in the 1950s Conga: large Cuban drums which is the main percussion voice of Cuban music Creole: French speaking, mixed race people already living in Louisiana when the Cajun arrived Culture: collectively held habits of though and behavior Dennis McGee: Amédé Ardoin’s fiddle player who played well into his 90’s Diána: introductory part of the Rumba which is the introduction of voice Diffusion: passing of traits across boundaries Fanía: record company in NYC in the 1960s which invented the marketing term salsa Frottoire: metal vest percussion instrument used in Zydeco Functionalism: society is like a human body Guajira: type of rural song style from eastern Cuba Hackberry Ramblers: 1940s Texas-style Cajun music that did not have the accordion and used string instruments instead Havana: capital of Cuba Les haricots sont pas sale: (“lay zydeco sawn pa salay”) hit song by Clifton Chenier and was the first song called zydeco music Montuno: call and response Newport Folk Festival: 1964 Balfa brothers appeared on stage with Cajun music Nova Scotia: previous name Acadia, in Canada and means New Scotland Oriénte: religion in Cuba from the eastern mountainous rural region Orisha: Yoruba Petit fer (‘tit fer): steel triangle in Cajun music Rumba: street dance style from Havana Ry Cooder: American record producer who made the original recording the Buena Vista Social Club Salsa: marketing term from Fania record company
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