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Four Creative Philosophies in Advertising: Reeves, Burnett, Ogilvy, and Bernbach - Prof. L, Study notes of Banking Law and Practice

The creative philosophies of four influential advertising figures: rosser reeves, leo burnett, david ogilvy, and bill bernbach. Reeves emphasized the importance of a unique selling proposition, burnett focused on the inherent drama of products, ogilvy believed in selling the product through storytelling, and bernbach advocated for the fusion of image and words. Examples of successful campaigns and advertisements from each philosopher.

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2009/2010

Uploaded on 12/09/2010

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Download Four Creative Philosophies in Advertising: Reeves, Burnett, Ogilvy, and Bernbach - Prof. L and more Study notes Banking Law and Practice in PDF only on Docsity! ADV315: History and Development of Advertising Oct. 29, 2010 Lecture guide Four Creative Philosophies 1. Rosser Reeves:  “The consumer tends to remember just one thing from an advertisement – one strong claim, or one strong concept.”  Unique Selling Proposition: o Advertisement must make a proposition to the consumer: "Buy this product, and you will get this specific benefit." o Proposition must be unique – one that the competition either cannot, or does not, offer o Proposition must be strong enough to move the mass consumers, i.e., convert new customers to your product  Hard sell ads were repetitive, unpleasant, intrusive and successful o 1945: $16 million in annual billings o 1960: $130 million in annual billings  Anacin o In 18 months sales increased three-fold from $18 million to $54 million 2. Leo Burnett  Stressed the inherent drama of the product = o “Identify the thing about that product that keeps it in the marketplace… capturing that, and then taking that thing – whatever it is – and making the thing itself arresting.”  Burnett moved the image to center stage o Visual eloquence: o Appealed to: o Based on Walter Lippmann and his Public Opinion (1922)  Pictures are "the surest way of conveying an idea. A leader or an interest that can make itself master of current symbols is master of the current situation."  Early Campaigns: o 1940: o 1949:  Other campaigns: o o o o  Advertising Icons:  Chicago School of Advertising o "Share of market" could only be built on "share of mind" o Visual triggers o Subconscious acceptance o Mid-American homeyness rather than eastern sophistication  "Sodbusting corniness" = o Reflect the American values  Marlboro Man: o Studies indicated  o Marlboro Man conveys:    3. David Ogilvy  The Pope of advertising  Fusion of  Purpose of advertising was to sell the product o "Never forget: advertising is about selling.” o Similarities with Rosser Reeves:  “The consumer isn’t a moron; she is your wife.” o “I do not regard advertising as entertainment or an art form, but as a medium of information. When I write an advertisement, I don’t want you to tell me that you find it ‘creative.’ I want you to find it so interesting that you buy the product”  Branding: o Soft sell o “Story appeal.” o Followed the basic rules of advertising:     Campaigns: o American Express, Sears, Ford, Shell, Barbie, Pond's, Dove, and Maxwell House o Schweppes (1953)     o Rolls Royce  “At 60 miles an hour the loudest noise in this new Rolls-Royce comes from the electric clock  Importance of
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