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Impact of Sexual & Violent Content on Emotions & Policy: Media, Arousal & Regulation, Study notes of Communication

The relationship between media content, emotional arousal, and regulatory responses, focusing on sexual and violent media. It discusses how individuals seek out such content for various reasons, the emotional dimensions of arousal, and ways to measure it. The document also examines the impact of media on stress, aggression, and relaxation, as well as the history and evolution of film ratings. Additionally, it covers legislative efforts to control media effects and the balance between freedom of expression and regulation.

Typology: Study notes

2012/2013

Uploaded on 03/07/2013

coltonbraun
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Download Impact of Sexual & Violent Content on Emotions & Policy: Media, Arousal & Regulation and more Study notes Communication in PDF only on Docsity! COMM 200 Exam Review Introduction - Sexual or Violent Media Content o Seek it out to relax/unwind o Hope to gain excitement from it o Almost always watch it simply because I have nothing else to do - Emotions o 3 Dimensions that make up our emotional state  Valence  How Positive or Negative we feel  Arousal  How excited or calm we feel  Dominance  How in or out of control we feel o Arousal  Positive or Negative  Fear, anger, curiosity, love, etc  Intensifies behavior in most circumstances  Increases emotional and behavioral experiences  Ways to measure  Self Report  Heart Rate  Blood Pressure  Skin Temperature  Skin Conductance o Measures the activation of the eccrine sweat glands in palms of the hands/soles of the feet o 0.5 Microvolts of electricity are passed through the palm o The more aroused someone is, the more sweat they will produce, and it will take the electricity slower from one sensor to the next o Media, Arousal and Relaxation  Media use is a major leisure time  Used as diversion and as relief for daily stress  Daily Stress = Source of arousal  Intervention Potential  Capacity of media to involve person and disrupt their stress  Media must have potential to absorb the audience member  Semantic Activity o How alike the media content is to the audience member’s mood o Content that’s arousing and portrays similar content and emotions will not reduce audience stress  Stressed individuals watching violent and absorbing content o Arousal level not reduced o Aggression remains heightened  Stressed individuals watching non-violent, yet absorbing content o Soothes audience member o Controls aggression o Media, Arousal and Relaxation  In particular, pleasant content (regardless of how absorbing), can reduce arousal levels  Viewers likely to choose content that will diminish heightened feelings of arousal o Media, Arousal and Excitement  Exposure to media can be arousing  Those least aroused will respond more intensely to emotional content  Violent and Sexual Content  These individuals seek out content to achieve same pleasurable, emotional results o Habituation  Decrease response after constant viewing over a period of time  Frequent exposure to arousing content can diminish emotional reactions arousal over time  Used to explain increasing levels of sex and violent in today’s media content Legislating the Media - Concerns over effects o To protect those who can’t protect themselves - Policy created can: o Educate about media’s effects o Inform consumers about the content of the media - Hard to determine if there is a need o Also hard to determine what type of policy is necessary - Steps in Policy Making o Agenda Setting  Issue must be brought to attention of officials who can make changes o Policy Deliberation  Proposals must be talked about and debated upon o Policy Enactment  “This is the plan we are going to go with” o Policy Implementation o E10+ - Everyone 10+  Come out in 2005 o T – Teen  Content for those 13+ o M – Mature  Content only for those 17+ o AO – Adults Only  ONLY those 18+  Strip Fighter 2, Bonetown o RP – Rating Pending Legislating Movies - Motion Picture Association of America (MPAA) rates a film’s thematic and content suitability for certain audiences in the US o Created in 1968  In response to religiously-motivated complaints about the content of American films  Especially violence and language in films - Original Film Ratings o Rated G:  General Audiences  All ages admitted o Rated M:  Suggested for Mature Audiences  Parental discretion advised o Rated R:  Restricted  People under 17 not admitted without parent/guardian o Rated X:  People under 18 not admitted - Evolution of Film Ratings o January 1970  Rated M became Rated GP:  All ages admitted/Parental Guidance Suggested o January 1971  Added Rated GP*:  Contains material not generally suitable for pre-teenagers o February 1972  Rated GP and Rated GP* replaced by Rated PG:  Parental Guidance Suggested  Some material may not be suitable for children o MPAA needed a middle ground between PG and R due to complaints about:  Poltergeist (1982)  Gremlins (1984)  Indiana Jones and the Temple of Doom (1984) o July 1984  MPAA institutes Rated PG-13  Parents strongly cautioned, some material may be inappropriate for children under 13 o MPAA was treating mainstream movies like porn by giving them X ratings  Many movie theatres would not show movies with an X rating o September 1990  MPAA introduced Rated NC-17  No children U17 admitted  1996  Changed to No One 17 and Under Admitted - Content Considerations o Language o Drug Reference o Illegal Drug Use o Cigarette Smoking o Strong Sexual Content o Nudity o Violence o Legitimate Historical/Educational Value Types of Efforts to Control Media Effects - Big reason why ratings are even there in the first place - To let people know what content they will be exposed to o Media can have effects on people  Especially little kids and adolescents - Types of Control o Industry Self-Regulation  Industry themselves takes the initiative to make the public aware  E.g. MPAA, Music Industry, Recording Industry o Advocacy Groups  Groups that take steps to protect other members of the audience  “Concerned citizens”  Separate from industry and government o Educational Programs  Schools that put programs into place to educate children about the media  Aims to make them more media-literate o Fiction v non-fiction  Makes them aware of advertising methods and content o Individual Efforts  We/A Parent/Guardian/etc can choose what children under their care will be exposed to o Government “By Raised Eyebrow”  Doesn’t specifically intercede  Rather “keeps a watchful eye on them”  Bit of a warning o Government Regulation  When the gov’t actively steps in and creates regulation  What can/can’t be played, what time, etc The First Amendment of the US Constitution - “Congress shall make no law abridging the freedom of speech of an individual or of the press” o Basis of a lot of controversy and struggle, since our Founding Fathers o Still comes into play today with content of the Mass Media - Only specifically prohibits Congress from making laws that violate these freedoms o Now applied to all branches - Language is often open to interpretation o Everyone tries to interpret and re-interpret  Who it protects, who it doesn’t, etc o Abridge : Subject of controversy  What is exact meaning of abridge?  Specifically what types of speech are prohibited  Print, Spoken, Internet, Non-verbal?  Who is a member of the Press?  Blogger, Performer?  These ideas have been discussed and fought over  Who exactly is protected under the First Amendment? - Why the Framers Protected Free Expression o Not only important, but FIRST in the Constitution o British gov’t engaged actively in censorship  Didn’t want anyone to publicly express dissatisfaction with the rulers, laws, etc  Main reason for the 1st Amendment  Didn’t want government intrusion/control of each person’s ideas/expressions o Key Concept: STATE ACTION  Any action taken by govt’s, esp. intrusion on one’s rights by a government agency  They will often cite “the well-being of others” when they try to step in o Intervene to protect the individual/those around o Responsible for issue/renewal of broadcast licenses  8 year terms  Must be in good standing to get renewal o Enforcement Powers:  Issue Fines  Revoke Licenses - Regulation of Violent Content o Much less government regulation (within the last year or so)  More interested in a lot of sex rather than a lot of violence (traditionally) o Mostly “by raised eyebrow” o Violence on TV  V-Chip Requirement  “Voluntary” Ratings System  TV-Y, TV-MA, etc - Regulation of Sexual Content o Indecency  Anything “depicting sexual and excretory activities in an offensive manner, as measured by contemporary community standards for the broadcast medium”  They will decide what is decent and what is indecent  Nowadays, community standards have changed so something that was fineable 10 years ago could be completely fine now o FCC v. Pacifica (1978)  On an FM Radio station, they aired someone’s standup that had a lot of curing and offensive language in it  A dad called the FCC and complained that his son had heard these words  FCC sent Pacifica a letter saying knock it off  Pacifica then tried to fight it, but the courts sided with the FCC  FCC said they were protecting children from hearing those inappropriate words o All indecent content must be channeled and may not be played from 6am to 10pm  Companies try to be really careful during normal viewing hours so they don’t get fined  Like when nationals comes to visit KDR o Janet Jackson Superbowl Indecency  Big surge in Enforcement after her wardrobe malfunction  CBS was originally fined $550k  The FCC’s surge really started to piss people off, who then turned to the internet to make fun of the FCC  Internet is not regulated by the FCC, so they wanted to stick it to the man o Profanity Enforcement  Heavy FCC fines/regulations loomed over the networks (especially of live content) that could have come across the occasional swear word  E.g. Joe Flacco - Obscenity, Pornography, and Indecency o Expressions (words, images, actions) that offend the prevalent sexual morality o Legal distinction between obscenity, pornography, and indecency  Obscenity receives NO First Amendment Protection o What is Obscene?  Three Part Test (from Miller v. California 1973)  An average person, applying contemporary community standards finds that the work, taken as a whole appeals to the prurient interest  The work depicts in a patently offensive way, sexual content that is specifically defined by state law  The work in question lacks serious literary, artistic, political, or scientific values  Luke Records v. Navarro  In 1990, Nick Navarro was a Sheriff in Cali o Luke Records’ album was rules obscene  Distribution of the CD was deemed illegal  One shop keeper was arrested for selling the album to an Undercover Cop o Luke Records appealed again, this time with the help of a Harvard Professor  Respected Prof said the album had “serious artistic and historical roots within the Black Culture” o Decision was overturned  The album was deemed NOT OBSCENE o Special Circumstances  Variable Obscenity Statutes  Definition of obscenity can vary depending on who it is  Can’t do away with all adult products just to keep kids away  Child Pornography  Children portrayed in sexual situations  New York v. Ferber (1982) o Ferber, an adult-bookstore owner was arrested after selling a book depicting children U16 in sexual situations o Charged with promoting both obscene and indecent sexual performances o Originally aquitted of obscene, but guilty of indecent o NY Appellate Court reversed the decision citing the broadness of the obscenity regulations, and asked the US Supreme Court to weigh in o NY Supreme Court reversed all previous decisions and convicted Ferber on both obscene and indecent o Findings:  Child Pornography may be banned without first being deemed obscene for 5 reasons:  Government hold strong interest in preventing the sexual exploitation of children  Depictions of minors engaged in sex is directly related to sexual abuse of children and serve a constant reminder  Selling goods provides financial motivation to continue to make child porn  It has negligible artistic value  Child Pornography is also outside the rights of the First Amendment  State interest in protecting children allows laws prohibiting distribution of images of sexual performances by minors even where content does not meet tests of obscenity. - Internet Regulation o Difficult to regulate  No boundries – truly international  Jurisdictional Issues  No central location for messages to go through  Encryption methods  Anonymity - Internet Regulation of Sexual Content o Congress passed laws in in 1996 & 1998 in an attempt to limit children’s access to online sexual content  Neither law was ever enforced  Reasoning: o Too much content would have been kept away from results o Other measures would be more effective o Children’s Internet Protection Act (CIPA)  Requires filtering software on computers in public schools and libraries  If not, they lose Federal Funding o Upheld by the US Supreme Court  Arguments both for and against filtering software o Sexual information gets attention  Can’t help but pay attention to it  It’s emotional in nature  Makes individuals feel very positive  As humans we like to pay attention to something that makes us feel good and arouses us  Many competing messages  Need to stand out and be remembered o Stand out by featuring sexual content (more remember-able to the audience)  Sex has the ability to attract and maintain audience’s attention  Increase ratings and circulation o Generates greater revenue o The use of sex can and does appeal to audience interest  Almost everyone has an interest to some degree  It generates the big bucks  Could cause someone to become attracted to a certain publication  Certain people enjoy it and therefore seek it out  Like the responses it evokes, and therefore seek them out  People desire exposure to sexual information because of its hedonistic value  Uses & Gratifications (why we use certain media/media content) o Looks at why we seek out certain media o What result we hope to gain from that experience  Ultimate goal is Pleasure o Gratification we hope to gain  Consumers react to outcomes in ads and they would like it to happen in real life o Wishing they could get that guy/girl o Want the experience you see in the ads o Try to live vicariously  Sex in Advertising creates an Emotional Response  Increased levels of arousal  Arousal leads to favorability o Transfers to our opinion about the product o Could lead to sales  Goal of virtually all advertising: revenue o 8% of Prime-Time network commercials featured sexual content  10 – 20% of models themselves were sexualized o Women dressed sexually in 40% of magazine ads  Men only 18% o Contact b/t models in ads has become more sexualized over time Sex in Advertising – More or Less Explicit - More Explicit o Habituation Effect  Humans have reduced responses to something the more they are exposed to it  If you see the sex over and over it becomes no big deal over time - Less Explicit o Some argue  Pressure from outside organizations is going to force sex in advertising away for something else  Reaction to media-watch organizations - Sexism v Sexy o In the content titillating or offensive/demeaning?  Big issue with Music Videos o Two main issues to determine:  What consequences does it have for the viewers?  Will they be effected, will they learn inappropriate info about sex?  How will the use of such imagery impact the sale of the product being advertised?  Could there be negative backlash to a company? o About 1/3 or 33% of Americans find sexual content offensive  No matter how explicit, offensive, or degrading  Not interpreted in the same way by everyone o Sexy or sexist differs from person to person o General/Possible Guidelines  Should not imply coercion or violence  Should appear to want to be in that situation  If not appearing that way, needs to be redesigned/rethought  Women should not been seen as inferior  No subservient roles  Characterized as independent and strong  No exploitation/stereotypes  Everyone should contribute a lot into society  Forces the advertisers to think if this is appropriate for their audience  If they are offended, what are the consequences/is it worth it? o Sexist v Sexy is completely personal opinion, and is not a clear cut black or white answer
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