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Copyright Law: Infringement of Reproduction and Publication under 1976 Act, Slides of Law

An overview of the infringement of the right of reproduction under the 1976 copyright act, focusing on the importance of publication under this act. It covers the definition of publication, notice requirements, deposit and registration, and the two-step test for infringement. The document also includes case studies and examples to illustrate the concepts discussed.

Typology: Slides

2012/2013

Uploaded on 01/26/2013

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Download Copyright Law: Infringement of Reproduction and Publication under 1976 Act and more Slides Law in PDF only on Docsity! GOALS FOR THIS CLASS • To learn about infringement of the right of reproduction Docsity.com WRAP-UP POINT: PUBLICATION UNDER ‘76 ACT • Publication does not have an investive/divestive effect under the 1976 Copyright Act, but is still important in a number of ways, e.g. computing copyright term for works for hire (s. 302(c)), whether defense of fair use applies (s. 107), applicability of library exemptions (s. 108) etc.. Docsity.com WRAP-UP POINT:DEPOSIT • Under 1909 Act and under 1976 Act up to Berne, compliance with deposit requirements was a prerequisite for suit • This is no longer the case, but you can still be fined for failure to deposit copies with the Library of Congress under s. 407 Docsity.com WRAP-UP POINT: REGISTRATION • 2-tier registration system • Registration is still a prerequisite for copyright suit for U.S. works (either first published in U.S. or, if unpublished, by U.S. author) • Not a prerequisite for works that are non U.S. Berne works • Incentives for timely registration: s. 412. No statutory damages/attorneys fees for infringement prior to registration Docsity.com WRAP-UP POINT:RIGHT OF REPRODUCTION • Right of reproduction is one of the exclusive bundle of rights of the copyright owner set out in section 106 of the Copyright Act of 1976 • There are 2 ways a work can be reproduced: in COPIES or PHONORECORDS • Both are defined in section 101 • Works can be copied digitally Docsity.com COPYING • Copying may be (rarely) proved by D’s admission that she copied • Or by circumstantial evidence from which copying can be inferred (access) AND sufficient similarity between the works to prove copying • If no similarity exists between the works, no evidence of access will prove copying • If access/similarity, court can use expert evidence/dissection to determine copying • If no evidence of access, need STRIKING SIMILARITY to prove copying Docsity.com UNLAWFUL APPROPRIATION • Only arises if copying has been proved • Question - has defendant taken so much from P’s work that he wrongfully appropriated? • Test is that of the ordinary observer • Dissection and expert evidence not admissible (irrelevant) Docsity.com AUDIENCE DETERMINING SUBSTANTIAL SIMILARITY • Can this be a specialized audience (such as children) where the work is intended by the author for a particular market? See Lyons Partnership L.P. v. Morris Costumes, Inc. (4th Cir. 2001). Docsity.com BRIGHT TUNES V. HARRISONGS • Subconscious copying • Is that infringement? • What if Harrison played the notes of the motifs A and B in “He’s so Fine” backwards and published the song? Does this infringe Bright Tunes’ copyright in “He’s So Fine”? • SEE ALSO Three Boys Music Corp. v. Bolton (9th Cir. 2000) Docsity.com STRIKING SIMILARITY • Is there a split in the circuits on this issue? Docsity.com SELLE V. GIBB (7th Cir. 1984) • http://www2.bonet.co. id/cpr/MIDI/POP/beeg ees/00index.html • What is the issue? • What is the court’s holding? Why? Docsity.com DE MINIMIS COPYING • Ringgold v. BET (2d Cir. 1997) Docsity.com PETER PAN FABRICS, INC. (2d Cir. 1960) • What does Learned Hand say about the test for substantial similarity? Docsity.com
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