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Introduction to Music with Examples - Study Guide | MUL 101, Study notes of Music Theory and Analysis

Things on Exam 1 Material Type: Notes; Professor: Greenwood; Class: Introduction to Music; Subject: Music Literature; University: University of South Alabama; Term: Fall 2013;

Typology: Study notes

2012/2013

Uploaded on 09/16/2013

jessica-porter1994
jessica-porter1994 🇺🇸

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Download Introduction to Music with Examples - Study Guide | MUL 101 and more Study notes Music Theory and Analysis in PDF only on Docsity! Music Exam 1 Study Guide 9. When a melody is accompanied by a second melody, that second melody is called a: COUNTERMELODY 10. The distance between two pitches is called: INTERVAL 11. A second melody played against the first is called a countermelody. [T]/F 15. SYNCOPATION is created when the accent is shifted to a weak beat or an offbeat. 17. A combination of tones that sounds discordant or in need of resolution can be described as: DISSONANT 20. The tonality of a piece is determined by: THE SCALE 21. A collection of pitches arranged in ascending and descending order constitutes a: SCALE 29. A round is based on the principle of IMITATION where each voice enters in succession with the same melody. 38. A texture in which all voices move together in the same rhythm is called: HOMORHYTHMIC 39. A THEME can serve as the building block in the construction of a musical work. 49. Which form features a statement of an idea, a contrasting idea, then a repetition of the first idea? TERNARY 55. Tempo and dynamic markings are usually given in French. T/[F] ITALIAN 60. If the music is gradually speeding up, the term used to describe this is: ACCELERANDO 62. Which of the following is an example of an idiophone?CYMBAL 66. The property of sound that gives instruments and voices their unique tone color is: TIMBRE 68. Which of the following shows the correct order of vocal ranges from highest to lowest? SATB 88. Which of the following would you NOT expect to hear in a jazz band? OBOE 91. A concert band differs from a symphony orchestra in that it lacks a: STRINGS Melody- TUNE RANGE FROM HIGH TO LOW Rhythm- MOVES MUSIC FOWARD Harmony- COMBONATION OF NOTES INTERVALS AND CHORDS Texture- INTERWEAVING Form- REPETITION ,CONTRAST AND VARIATION Tempo- RATE OF SPEED OR PACE Dynamics- HOW LOUD OR SOFT Monophonic- SIMPLEST / SINGLE VOICE Homophonic- SINGLE VOICE TAKES OVER MELODIC INTEREST Polyphonic- 2 OR MORE MELODIC LINES COMBINED Countermelody- MELODY ACCOMPANIED BY ANOTHER Beat-BASIC UNIT/ REGULAR PULSATION Meter- GROUPING OF BEATS Nonmetric- LACKING BEAT STRONGLY Tonic- FIRST NOTE OF SCALE Counterpoint-ONE LINE VS. ANOTHER [COMBO] Canon- IMITATED WORK Sequence- RESTATMENT OF AN IDEA Ostinato- SHORT MUSICAL PATTERN Grave VERYVERYSLOWSOLEMNLargo BROAD VERY SLOW Adagio QUITE SLOW Andante WALKING PACE Moderato MODERATE Allegro FAST, CHEERFUL Vivace LIVELY Presto VERY FAST Molto VERY Meno LESS Poco LITTLE Accelerando GETTING FASTER Ritardando GETTING SLOWER Piano SOFT Pianissimo VERY SOFT Mezzo-piano MODERATELY SOFT Forte LOUD Fortissimo VERY LOUD Mezzo-forte MODERATELY LOUD Crescendo GETTING LOUDER Decrescendo GETTING SOFTER Pizzicato PLUCKED Vibrato PITCH SCRATCH OSALATION TremoloRAPID REPITITION OF A SOUND Choir SATB concert band EVERYTHING EXCEPT STRINGS jazz band SAXOPHONE CLARINET TRUMPET TROMBONE PERCUSSION PIANO DOUBLE BASS ELECTRIC GUITAR string quartet VIOLA , 2 VIOLINS , CELLO brass quintet 2 TRUMPETS FRENCHHORN , TROMBONE , TUBA woodwind quintet FLUTE OBOE CLARINET BASSON FRENCH HORN
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