Music10-Q3-Module-1.pdf, Assignments of World Music

Download Music10-Q3-Module-1.pdf and more Assignments World Music in PDF only on Docsity! 1 Republic of the Philippines Department of Education Regional Office IX, Zamboanga Peninsula MUSIC Quarter 3 – Module 1: CONTEMPORARY PHILIPPINE MUSIC (TRADITIONAL, NEW MUSIC AND SONG COMPOSERS) Zest for Progress Zeal of Partnership 10 Name of Learner: ___________________________ Grade & Section: ___________________________ Name of School: ___________________________ 2 At the end of the module, each student is expected to:  Narrates the life of selected contemporary Filipino composer/s (MU10CM-IIIc-g-3) According to National Artist Ramon Santos, PhD, “contemporary music in the Philippines refers to compositions that have adopted ideas and elements from 20th century art music in the west, as well as the latest trends and musical styles in the entertainment industry.” The modern Filipino repertoire consists of musical pieces that have been written in 20th century idioms that have evolved out of such stylistic movements as impressionism, expressionism, neo-classicism, as well as avant-garde and new music. New music are compositions which are improvisational works such as the early compositions of Dr. Ramon Santos, Radyasyon and Quadrasyon; Josefino “Chino” Toledo’s Samut-Sari, Pintigan and Terminal Lamentations, and Jonathan Baes’ Wala and Banwa. With the European and American influences brought by our country’s colonizers, it ws inevitable that the musical style of 20th century Western composers found their way into Philippine compositions. The works many notable Filipino composers are evidence of this. An entire group of 20th Filipino song composers became popular for their musical compositions used as background music or theme songs in movies and films. What I Need To Know KKKKKNOWKNOW 5 CIPRIANO “RYAN” CAYABYAB (1954 – present ) Ryan Cayabyab is a popular contemporary composer also has classical compositions to his credit, such as Misa, Four Poems for Soprano and Piano, and Te Deum. Among his numerous compositions are the award-winning Kay Ganda ng Ating Musika (1978), as well as the modern zarzuela Alikabok (2003), the opera Spoliarium with libretto by Fides Cuyugan-Asensio, and a variety of choral pieces and song cycles. Cayabyab was born on May 4, 1954 in Manila. He obtained his Bachelor of Music degree at the University of the Philippines’ College of Music. After which, he became a faculty member for Composition at the same University. He also served as the Executive and Artistic Director of the San Miguel Foundation for the Performing Arts, which oversaw the operations and programming of the San Miguel Philharmonic Orchestra and the San Miguel Master Chorale. At present, he continues to be a much sought-after professor, musical director, composer, arranger, and conductor in the Philippine concert and recording scenes. He is a contemporary composer and conductor who spans both popular and classical worlds with his pop music, ballads, operas, zarzuelas, orchestral arrangements, masses, psalms and choral compositions. Francisco Santiago (1889 – 1947) Francisco Santiago is known as the “Father of the Kundiman” and belongs to the “Triumvirate of Filipino Composers.” He finished his music specialization at the American Conservatory of Music in Chicago, where he obtained his Doctorate Degree in 1924. Santiago’s music was Romantic in style, incorporating Western forms and techniques with folk materials. He composed several works such as kundiman, symphonies, piano concertos, and other music pieces for the piano, violin, and voice. Among his famous works arePakiusap, Madaling Araw, Sakali Man, Hibik ng Pilipinas, Ano Kaya ang Kapalaran, and Kundiman (Anak Dalita). This piece was sung before the Royal Court of Spain upon the request of King Alfonso II. He was also a musical director for films. Among the films whose music he supervised are Kundiman, Leron Leron Sinta, Madaling Araw, Manileña, and the movie inspired by his own composition Pakiusap. 6 NEW MUSIC COMPOSERS Composers of experimental New Music in the Philippines include Jose Maceda, Lucrecia Kasilag, Ramon Santos, Manuel Maramba, Jerry Dadap, Francisco Feliciano, Josefino “Chino” Toledo, and Jonas Baes. They retained the Filipino spirit by incorporating traditional music forms as well as indigenous rhythms and instruments in their compositions. LUCRECIA R. KASILAG (1918 – 2008) National Artist for Music Lucrecia R. Kasilag was born in San Fernando, La Union on August 31, 1918. She went to Manila to pursue a degree in Music at the Philippine Women’s University.She thenobtainedherMaster’sdegree from the Eastman School of Music in New York, USA. Her compositions were influenced by her professors Irving McHose and Wayne Barlow. Kasilag’s compositions demonstrated a fusion of Eastern and Western styles in using instruments, melody, harmony, and rhythm. She is particularly known for incorporating indigenous Filipino instruments into orchestral productions. Among Kasilag’s many compositions are Toccata for Percussion and Winds (1959), composed for indigenous Muslim instruments and Western instruments; The Legend of the Sarimanok(1963), composed for chamber orchestra and Philippine ethnic instruments; Divertissement and Concertante (1960), compositions for piano and orchestra combining Western and Eastern forms, harmonies, and intervals; and Dularawan (1969), a musical drama combining a dance solo with a chorus and an ethnic orchestra. Her other works include compositions for piano, instrumental ensemble, and chorus. She was equally admired in the academe as a former Dean of the College of Music and Fine Arts, Philippine Women’s University. In the cultural field, she was the President of the Cultural Center of the Philippines. In the dance circles, she was the President and Music Director of the Bayanihan Dance Company. She also served as Chairman of the Asian Composers’ League and the League of Filipino Composers. She is credited for having written more than 200 musical works, ranging from folksongs to opera to orchestral works, which she continued to compose for the rest of her life. For all these outstanding achievements, she was conferred the title of National Artist for Music in 1989. She passed away in Manila in August 2008. 7 RAMON P. SANTOS (1941 – ) National Artist for Music Ramon P. Santos was born in Pasig on February 25, 1941. He completed his Bachelor of Music degree at the College of Music, University of the Philippines. He finished his Master of Music degree at Indiana University, USA. He received his Doctor of Philosophy degree in Composition at the State University of New York, USA. He had also pursued graduate studies in Ethnomusicology at the University of Illinois, USA. Santos’ compositional style features chromaticism, musicseria and electronic components, combined with indigenous Philippine music elements. His works include Ding Ding Nga Diyawa, Nabasag na Banga at Iba’t iba pang Pinag-ugpong-ugpong na Pananalita sa Wikang Pilipino para sa Labing Anim na Tinig, and L’BAD. He had done extensive research on the gamelan music of Java as well as the traditional music of the Ibaloi, Maranao, Mansaka, Bontoc, Yakan, and Boholano tribes in the Philippines. present, he is the headof the UP Center of Ethnomusicologyand was appointed Professor. Santos held the position of Dean of the UP College of Music from 1978 to 1988. At Emeritus of the same institution. He was conferred the title of National Artist for Music in 2014. FRANCISCO F. FELICIANO (1942 – 2014) National Artist for Music Francisco F. Feliciano, avant garde composer and conductor for band and chorus, was born on February 19, 1942 in Morong, Rizal. His first exposure to music was with the Morriz Band, a brass ensemble established and owned by his father, Maximiano Feliciano. He started his music career in the high school band where he had played the cymbals and the clarinet. Feliciano obtained his Teacher’s Diploma in Composition and Conducting at the Conservatory of Music, University of the Philippines (UP) in 1964, and a Bachelor of Music degree major in Composition in 1967. Subsequent degrees include a Master in Music Composition from the University of the Philippines, a Diploma in Music Composition from the Hochschule der Kunst in Berlin, Germany, and a Master of Musical Arts and Doctorate in Music Composition from Yale University School of Music, USA. He studied composition with Jacob Druckman, Isang Yun, H.W. Zimmerman and Krystof Penderecki. Feliciano composed more than 30 major works, including the musical dramas Sikhay sa Kabila ng Paalam, Ashen Wings, and the monumental three-act opera La Loba Negra (1984). He also wrote music for the orchestra such as Prelude and Toccata(1973),Fragments(1976), Life of Wartime Filipino Hero Jose Abad Santos, and the ballet Yerma (1982). 10 ERNANI CUENCO (1936 – 1988) National Artist for Music Ernani Joson Cuenco, composer, film scorer, musical director and music teacher, was conferred the National Artist musicality that contain the classical sound of the kundiman. Award for Music in 1999. His works embody a Filipino sense Cuenco was born on May 10, 1936 in Malolos, Bulacan. As a boy, he was encouraged to learn the violin. He was mentored by his mother, his godmother Doña Belen Aldaba Bautista, and his first teacher, Jovita Tantoco. He earned his Bachelor’s Degree in Music, major in Piano at the UST Conservatory of Music in 1956. A UST scholarship grant in the same year enabled him to study the cello under Professor Modesto Marquiz, which he finished in 1965. In 1968, he completed his Master of Music degree at the Sta. Isabel College. From 1960 to 1968, Cuenco was a cellist at the Manila Symphony Orchestra under Dr. Hubert Zipper. Likewise, he played for the Filipino Youth Symphony Orchestra and the Manila Chamber Soloists from 1966 to 1970. His career as a musical director began in 1960 when he was discovered by then actor Joseph Estrada while he was playing as part of a band he had formed with friends at an exclusive restaurant in Makati. In 1963, Cuenco was sent as a delegate to the International Music Conference in Tokyo, Japan. Aside from being a composer and musical director, he was also a faculty member at the UST Conservatory of Music until his death on July 11, 1988. To this day, Cuneco’s compositions are popular and well-loved, especially Gaano Ko Ikaw Kamahal and Bato sa Buhangin which he composed for films in honor of his wife. Aside from these signature pieces, Cuenco’s other songs includeNahan, Kahit na Magtiis, Diligin Mo ng Hamog ang Uhaw na Lupa, Pilipinas, Inang Bayan, Isang Dalangin, and Kalesa 11 Task 1: Guess Who? Instructions: Identify the names of the composers. Choose your answer from the box below. 1._______________ 4. ____________ 3. ____________ 2. ______________ 5. ______________ What’s More Ryan Cayabyab Nicanor Abelardo Levi Celerio Lucrecia R. Kasilag George Canseco Ramon Santos 12 Task 2: Name that Composer! Instruction: Name the composer who created the given musical pieces. ___________________ 1. L’ BAD ___________________2. Ang Pipit ___________________ 3. Magbalik Ka Hiran ___________________4. Kay Ganda ng ating Musika ___________________5. Paano Kita Mapapasalamatan Make a journal of what you have learned so far. What I Have Learned 15 Identify the lives and works of the following 20th century Filipino composers. A. Ryan Cayabyab B. Lucrecia Kasilag C. George Canseco References: Horizons Grade 10 Learner’s Material, pp. 92 - 138 DEVELOPMENT TEAM Writer: Mia Graziella E. Falcasantos Editor: Language Editor: Proof Reader: Illustrators: Marlon G. San Luis Layout Artist: Kinette Boy G. Garcia MANAGEMENT TEAM Julieto H. Fernandez, Ed. D., CESO VI SDS-Isabela City Maria Laarni T. Villanueva, Ed. D., CESE ASDS-Isabela City Henry R. Tura CID Chief Elsa A. Usman LR Supervisor Jani P. Ismael, EPS-MAPEH Module Coordinator Additional Activity 16 Region IX: Zamboanga Peninsula Hymn – Our Eden Land Here the trees and flowers bloom Here the breezes gently Blow, Here the birds sing Merrily, The liberty forever Stays, Here the Badjaos roam the seas Here the Samals live in peace Here the Tausogs thrive so free With the Yakans in unity Gallant men And Ladies fair Linger with love and care Golden beams of sunrise and sunset Are visions you’ll never forget Oh! That’s Region IX Hardworking people Abound, Every valleys and Dale Zamboangueños, Tagalogs, Bicolanos, Cebuanos, Ilocanos, Subanons, Boholanos, Ilongos, All of them are proud and true Region IX our Eden Land Region IX Our… Eden... Land... The Footprints Prayer Trees by Joyce Kilmer One night I had a dream. I dreamed that I was walking along the beach with the LORD. In the beach, there were two (2) sets of footprints – one belong to me and the other to the LORD. Then, later, after a long walk, I noticed only one set of footprints. “And I ask the LORD. Why? Why? Why did you leave me when I am sad and helpless?” And the LORD replied “My son, My son, I have never left you. There was only one (1) set of footprints in the sand, because it was then that I CARRIED YOU! I think that I shall never see A poem lovely as a tree. A tree whose hungry mouth is prest Against the earth’s sweet flowing breast; A tree that looks at God all day, And lifts her leafy arms to pray; A tree that may in Summer wear A nest of robins in her hair; Upon whose bosom snow has lain; Who intimately lives with rain. Poems are made by fools like me, But only God can make a tree. 1