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Nature Reflections: Wordsworth's 'Lines Composed near Tintern Abbey', 1798, Lecture notes of English Literature

William wordsworth's poem 'lines composed a few miles above tintern abbey' reflects on the poet's connection to nature and how it has shaped his experiences and emotions over the past five years. The poem explores themes of reflection, growth, and the enduring power of nature to bring joy and tranquility.

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2021/2022

Uploaded on 09/27/2022

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Download Nature Reflections: Wordsworth's 'Lines Composed near Tintern Abbey', 1798 and more Lecture notes English Literature in PDF only on Docsity! William Wordsworth’s “Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour. July 13, 1798” Five years have past; five summers, with the length Of five long winters! and again I hear These waters, rolling from their mountain-springs With a soft inland murmur.--Once again Do I behold these steep and lofty cliffs, 5 That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky. The day is come when I again repose Here, under this dark sycamore, and view 10 These plots of cottage-ground, these orchard-tufts, Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves 'Mid groves and copses. Once again I see These hedge-rows, hardly hedge-rows, little lines 15 Of sportive wood run wild: these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice, as might seem Of vagrant dwellers in the houseless woods, 20 Or of some Hermit's cave, where by his fire The Hermit sits alone. These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye: But oft, in lonely rooms, and 'mid the din 25 Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration:--feelings too 30 Of unremembered pleasure: such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love. Nor less, I trust, 35 To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, 40 Is lightened:--that serene and blessed mood, In which the affections gently lead us on,-- Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep 45 In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things. If this Be but a vain belief, yet, oh! how oft-- 50 In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart-- How oft, in spirit, have I turned to thee, 55 O sylvan Wye! thou wanderer thro' the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, 60 The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, 65 Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man 70 Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.--I cannot paint 75 What then I was. The sounding cataract Haunted me like a passion: the tall rock,
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