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Working with Historic Film and Images: A Guide for Researchers, Summaries of History

Media StudiesHistoric PreservationFilm StudiesHistory of Cinema

An overview of working with historic film and images for research purposes. It covers why one might want to work with film and images, how to access them, and how to interpret them. The guide also includes resources for further study.

What you will learn

  • What are the reasons for working with historic film and images?
  • How can one access historic film and images?
  • What questions should be asked when interpreting historic film and images?
  • What information can be gained from the type of film and its maker?
  • How can one determine how a historic film was shot and edited?

Typology: Summaries

2021/2022

Uploaded on 09/27/2022

youcangetme
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Download Working with Historic Film and Images: A Guide for Researchers and more Summaries History in PDF only on Docsity! D R C H R I S O ’ R O U R K E Presenting Your Research: Interpretation and Exhibitions UCL Dig Where We Stand Training Event 11 May 2013 Working with Historic Film and Images Overview —  Why might you want to work with film and images? —  Accessing film —  Interpreting film and images —  Further resources Working with Film and Images —  Accessing film – where to go? ¡  Online archives and image collections ÷ BFI YouTube channel, London Screen Archives ÷ Collage database, local archive websites, History Pin Working with Film and Images —  Accessing film – where to go? ¡  Commercial & educational distribution sources ÷ British Pathé, Independent Cinema Office (ICO) ¡  DVDs, e.g. BFI archive releases Interpretation —  Questions to ask of a film and/or image ¡  What type of film is it? ¡  Who made it, when, and why? ¡  What can we tell about how it was shot and edited? ¡  Who was it made for? ¡  What kind of ‘intentional’ and ‘unintentional’ evidence does it provide? Interpretation —  What can we tell about how it was shot and edited? ¡  Is the camera moving or static? ¡  Do the events look ‘staged’? ¡  How many shots are there? Are they in a logical order? ¡  Are there any added captions or soundtrack? ¡  How do they influence the nature of the film? Video: Panoramic View of the Morecambe Sea Front (Mitchell & Kenyon, 1901) To watch go to BFI YouTube channel: http://youtu.be/KLRQ8ElrEoU Interpretation —  Who was it made for? ¡  Personal/family viewing or commercial audience ¡  Any evidence for how it might have been understood/enjoyed at the time? ÷ Supporting documentation ÷ Magazine or newspaper reviews ÷ Records of screenings Try the BFI Reubens Library at the BFI Southbank or your local archive Interpretation —  What kind of ‘intentional’ and ‘unintentional’ evidence does it provide? ¡  Special occasions or daily practices ¡  Lost people and places ¡  Changing habits and fashions ¡  Social attitudes, cultural tastes ¡  What people considered educating, entertaining, or worth recording
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