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Exploring the Poetic Exploration of Self in 'Song of Myself' by Walt Whitman, Tesinas de Idioma Inglés

In this document, Walt Whitman's 'Song of Myself' is presented, a seminal work from the Leaves of Grass collection. Whitman celebrates the interconnectedness of all living beings and invites readers to connect with the natural world and their own souls. This poem is a profound exploration of self, identity, and the human condition.

Tipo: Tesinas

2014/2015

Subido el 25/01/2022

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¡Descarga Exploring the Poetic Exploration of Self in 'Song of Myself' by Walt Whitman y más Tesinas en PDF de Idioma Inglés solo en Docsity! Song of Myself Walt Whitman 1 I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul, I lean and loafe at my ease observing a spear of summer grass. My tongue, every atom of my blood, form’d from this soil, this air, Born here of parents born here from parents the same, and their parents the same, I, now thirty-seven years old in perfect health begin, Hoping to cease not till death. Creeds and schools in abeyance, Retiring back a while sufficed at what they are, but never forgotten, I harbor for good or bad, I permit to speak at every hazard, Nature without check with original energy. 2 Houses and rooms are full of perfumes, the shelves are crowded with perfumes, I breathe the fragrance myself and know it and like it, The distillation would intoxicate me also, but I shall not let it. The atmosphere is not a perfume, it has no taste of the distillation, it is odorless, It is for my mouth forever, I am in love with it, I will go to the bank by the wood and become undisguised and naked, I am mad for it to be in contact with me. The smoke of my own breath, Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and vine, My respiration and inspiration, the beating of my heart, the passing of blood and air through my lungs, The sniff of green leaves and dry leaves, and of the shore and dark-color’d sea-rocks, and of hay in the barn, The sound of the belch’d words of my voice loos’d to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play of shine and shade on the trees as the supple boughs wag, The delight alone or in the rush of the streets, or along the fields and hill-sides, The feeling of health, the full-noon trill, the song of me rising from bed and meeting the sun. Have you reckon’d a thousand acres much? have you reckon’d the earth much? Have you practis’d so long to learn to read? Have you felt so proud to get at the meaning of poems? Stop this day and night with me and you shall possess the origin of all poems, You shall possess the good of the earth and sun, (there are millions of suns left,) You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the spectres in books, You shall not look through my eyes either, nor take things from me, You shall listen to all sides and filter them from your self. 3 I have heard what the talkers were talking, the talk of the beginning and the end, But I do not talk of the beginning or the end. There was never any more inception than there is now, Nor any more youth or age than there is now, And will never be any more perfection than there is now, Nor any more heaven or hell than there is now. Urge and urge and urge, Always the procreant urge of the world. Out of the dimness opposite equals advance, always substance and increase, always sex, Always a knit of identity, always distinction, always a breed of life. To elaborate is no avail, learn’d and unlearn’d feel that it is so. Sure as the most certain sure, plumb in the uprights, well entretied, braced in the beams, Stout as a horse, affectionate, haughty, electrical, I and this mystery here we stand. Clear and sweet is my soul, and clear and sweet is all that is not my soul. Lack one lacks both, and the unseen is proved by the seen, Till that becomes unseen and receives proof in its turn. Showing the best and dividing it from the worst age vexes age, Knowing the perfect fitness and equanimity of things, while they discuss I am silent, and go bathe and admire myself. Welcome is every organ and attribute of me, and of any man hearty and clean, Not an inch nor a particle of an inch is vile, and none shall be less familiar than the rest. I am satisfied—I see, dance, laugh, sing; As the hugging and loving bed-fellow sleeps at my side through the night, and withdraws at the peep of the day with stealthy tread, Leaving me baskets cover’d with white towels swelling the house with their plenty, Shall I postpone my acceptation and realization and scream at my eyes, The last scud of day holds back for me, It flings my likeness after the rest and true as any on the shadow’d wilds, It coaxes me to the vapor and the dusk. I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre your blood. Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you. Walt Whitman, "Song of Myself" from Leaves of Grass (: Norton, 1973) Source: Leaves of Grass (final "Death-Bed" edition, 1891-2) (David McKay, 1892) \ The Moon and the Yew Tree Sylvia Plath This is the light of the mind, cold and planetary. The trees of the mind are black. The light is blue. The grasses unload their griefs at my feet as if I were God, Prickling my ankles and murmuring of their humility. Fumy spiritous mists inhabit this place Separated from my house by a row of headstones. I simply cannot see where there is to get to. The moon is no door. It is a face in its own right, White as a knuckle and terribly upset. It drags the sea after it like a dark crime; it is quiet With the O-gape of complete despair. I live here. Twice on Sunday, the bells startle the sky – Eight great tongues affirming the Resurrection. At the end, they soberly bong out their names. The yew tree points up. It has a Gothic shape. The eyes lift after it and find the moon. The moon is my mother. She is not sweet like Mary. Her blue garments unloose small bats and owls. How I would like to believe in tenderness – The face of the effigy, gentled by candles, Bending, on me in particular, its mild eyes. I have fallen a long way. Clouds are flowering Blue and mystical over the face of the stars. Inside the church, the saints will be all blue, Floating on their delicate feet over cold pews, Their hands and faces stiff with holiness. The moon sees nothing of this. She is bald and wild. And the message of the yew tree is blackness – blackness and silence. 1/21/22, 8:04 AM The Love Song of J. Alfred Prufrock by T. S. Eliot | Poetry Magazine POETRY FOUNDATION The Love Song of J. Alfred Prufrock BY T.S. ELIOT So credesse che mia risposta fosse A persona che mai tornasse al mondo, Questa fiamma staria senza pin scosse. Ma percioche giammai di questo fondo Non torno vivo alcun, si'odo il vero, Senza tema d'infamia ti rispondo. Let us go then, you and l, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question ... Oh, do not ask, “What is it?” Let us go and make our visit. In the room the women come and go Talking of Michelangelo. The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes, Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys, Slipped by the terrace, made a sudden leap, And seeing that it was a soft October night, https://www. poetryfoundation.org/poetry magazine/poems/44212/the-love-song-of-j-alfred-prufrock 1/21/22, 8:04 AM The Love Song of J. Alfred Prufrock by T. S. Eliot | Poetry Magazine https://www.poetryfoundation.org/poetrymagazine/poems/44212/the-love-song-of-j-alfred-prufrock 4/5 1/21/22, 8:04 AM The Love Song of J. Alfred Prufrock by T. S. Eliot | Poetry Magazine https://www.poetryfoundation.org/poetrymagazine/poems/44212/the-love-song-of-j-alfred-prufrock 5/5 1/21/22, 8:25 AM They shut me up in Prose — (445) by Emily... | Poetry Foundation —>K POETRY FOUNDATION They shut me up in Prose - (445) BY EMILY DICKINSON They shut me up in Prose — As when a little Girl They put me in the Closet — Because they liked me “still” Still! Could themself have peeped — And seen my Brain — go round — They might as wise have lodged a Bird For Treason — in the Pound — Himself has but to will And easy as a Star Look down opon Captivity — And laugh — No more have 1 — THE POEMS OF EMILY DICKINSON: READING EDITION, edited by Ralph W. Franklin, Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright O 1998, 1999 by the President and Fellows of Harvard College. Copyright O 1951, 1955 , by the President and Fellows of Harvard College. Copyright O 1979, 1983 by the President and Fellows of Harvard College. Copyright O 1914, 1918, 1924, 1929, 1930, 1932, 1935, 1937, 1942 by Martha Dickinson Bianchi. Copyright O 1952, 1957, 1958, 1963, 1965 by Mary L. Hampson. Source: The Poems of Emily Dickinson Edited by R. W. Franklin (Harvard University Press, 1999) CONTACT US NEWSLETTERS PRESS PRIVACY POLICY https://www. poetryfoundation.org/poems/52196/they-shut-me-up -in-prose-445 12
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