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John Donne's Poem 'The Flea' and Its Exploration of Love and Mortality - Prof. Deandrea, Dispense di Letteratura Inglese

A poem titled 'The Flea' by John Donne, which explores themes of love, mortality, and the fleeting nature of life. The poem uses the metaphor of a flea to illustrate the mingling of two lovers' blood and the interconnectedness of their lives. Donne also reflects on the transience of beauty and the human condition, urging his beloved to embrace life and love despite the fear of loss and shame.

Tipologia: Dispense

2019/2020

Caricato il 11/11/2021

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Scarica John Donne's Poem 'The Flea' and Its Exploration of Love and Mortality - Prof. Deandrea e più Dispense in PDF di Letteratura Inglese solo su Docsity! The Garden of Love BY WILLIAM BLAKE | went to the Garden of Love, And saw what | never had seen: A Chapel was built in the midst, Where | used to play on the green. And the gates of this Chapel were shut, And Thou shalt not. writ over the door; So | turn'd to the Garden of Love, That so many sweet flowers bore. And | saw it was filled with graves, And tomb-stones where flowers should be: And Priests in black gowns, were walking their rounds, And binding with briars, my joys & desires. The Flea BY JoHN DONNE Mark but this flea, and mark in this, How little that which thou deniest me is; It sucked me first, and now sucks thee, And in this flea our two bloods mingled be; Thou know'st that this cannot be said A sin, nor shame, nor loss of maidenhead, Yet this enjoys before it woo, And pampered swells with one blood made of two, And this, alas, is more than we would do. Oh stay, three lives in one flea spare, Where we almost, nay more than married are. This flea is you and I, and this Our marriage bed, and marriage temple is; Though parents grudge, and you, w'are met, And cloistered in these living walls of jet. Though use make you apt to kill me, Let not to that, self-murder added be, And sacrilege, three sins in killing three. Cruel and sudden, hast thou since Purpled thy nail, in blood of innocence? Wherein could this flea guilty be, Except in that drop which it sucked from thee? Yet thou triumph'st, and say'st that thou Find'st not thy self, nor me the weaker now; ‘Tis true; then learn how false, fears be: Just so much honor, when thou yield'st to me, Will waste, as this flea's death took life from thee. From earthly vehicles to these of air. Think not, when woman's transient breath is fled, That all her vanities at once are dead; Succeeding vanities she still regards, And tho' she plays no more, o'erlooks the cards. Her joy in gilded chariots, when alive, And love of ombre, after death survive. For when the fair in all their pride expire, To their first elements their souls retire: The sprites of fiery termagants in flame Mount up, and take a Salamander's name. Soft yielding minds to water glide away, And sip with Nymphs, their elemental tea. The graver prude sinks downward to a Gnome, In search of mischief still on earth to roam. The light coquettes in Sylphs aloft repair, And sport and flutter in the fields of air. Know further yet; whoever fair and chaste Rejects mankind, is by some sylph embrac'd: For spirits, freed from mortal laws, with ease Assume what sexes and what shapes they please. What guards the purity of melting maids, In courtly balls, and midnight masquerades, Safe from the treach'rous friend, the daring spark, The glance by day, the whisper in the dark, When kind occasion prompts their warm desires, When music softens, and when dancing fires? 'Tis but their sylph, the wise celestials know, Though honour is the word with men below. Some nymphs there are, too conscious of their face, For life predestin'd to the gnomes' embrace. These swell their prospects and exalt their pride, When offers are disdain'd, and love denied: Then gay ideas crowd the vacant brain, While peers, and dukes, and all their sweeping train, And garters, stars, and coronets appear, And in soft sounds 'Your Grace' salutes their ear. 'Tis these that early taint the female soul, Instruct the eyes of young coquettes to roll, Teach infant cheeks a bidden blush to know, And little hearts to flutter at a beau. Oft, when the world imagine women stray, The Sylphs through mystic mazes guide their way, Thro' all the giddy circle they pursue, And old impertinence expel by new. What tender maid but must a victim fall To one man's treat, but for another's ball? When Florio speaks, what virgin could withstand, If gentle Damon did not squeeze her hand? With varying vanities, from ev'ry part, They shift the moving toyshop of their heart; Where wigs with wigs, with sword-knots sword-knots strive, Beaux banish beaux, and coaches coaches drive. This erring mortals levity may call, Oh blind to truth! the Sylphs contrive it all. Of these am |, who thy protection claim, A watchful sprite, and Ariel ismy name. Late, as | rang'd the crystal wilds of air, In the clear mirror of thy ruling star I saw, alas! some dread event impend, Ere to the main this morning sun descend, But Heav'n reveals not what, or how, or where: Warn'd by the Sylph, oh pious maid, beware! This to disclose is all thy guardian can. Beware of all, but most beware of man!" He said; when Shock, who thought she slept too long, Leap'd up, and wak'd his mistress with his tongue. 'Twas then, Belinda, if report say true, Thy eyes first open'd on a billet-doux; Wounds, charms, and ardors were no sooner read, But all the vision vanish'd from thy head. And now, unveil'd, the toilet stands display'd, Each silver vase in mystic order laid. First, rob'd in white, the nymph intent adores With head uncover'd, the cosmetic pow'rs. A heav'nly image in the glass appears, To that she bends, to that her eyes she rears; Th' inferior priestess, at her altar's side, Trembling, begins the sacred rites of pride. Unnumber'd treasures ope at once, and here The various off'rings of the world appear; From each she nicely culls with curious toil, And decks the goddess with the glitt'ring spoil. This casket India's glowing gems unlocks, And all Arabia breathes from yonder box. The tortoise here and elephant unite, Transform'd to combs, the speckled and the white. Here files of pins extend their shining rows, Puffs, powders, patches, bibles, billet-doux. Now awful beauty puts on all its arms; The fair each moment rises in her charms, Repairs her smiles, awakens ev'ry grace, And calls forth all the wonders of her face; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy Sylphs surround their darling care; These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown; And Betty's prais'd for labours not her own. The Lady's Dressing Room BY JONATHAN SWIFT Five hours, (and who can do it less in?) By haughty Celia spent in dressing; The goddess from her chamber issues, Arrayed in lace, brocades and tissues. Strephon, who found the room was void, And Betty otherwise employed, Stole in, and took a strict survey, Of all the litter as it lay; Whereof, to make the matter clear, An inventory follows here. And first a dirty smock appeared, Beneath the armpits well besmeared. Strephon, the rogue, displayed it wide, And turned it round on every side. On such a point few words are best, And Strephon bids us guess the rest, But swears how damnably the men lie, In calling Celia sweet and cleanly. Now listen while he next produces The various combs for various uses, Filled up with dirt so closely fixt, No brush could force a way betwixt. A paste of composition rare, Sweat, dandruff, powder, lead and hair; A forehead cloth with oil upon't To smooth the wrinkles on her front; Here alum flower to stop the steams, Exhaled from sour unsavory streams, There night-gloves made of Tripsy's hide, Bequeathed by Tripsy when she died, With puppy water, beauty's help Distilled from Tripsy's darling whelp; Here gallypots and vials placed, Some filled with washes, some with paste, Some with pomatum, paints and slops, And ointments good for scabby chops. Hard by a filthy basin stands, Fouled with the scouring of her hands; The basin takes whatever comes The scrapings of her teeth and gums, A nasty compound of all hues, For here she spits, and here she spews. But oh! it turned poor Strephon's bowels, When he beheld and smelled the towels, Begummed, bemattered, and beslimed With dirt, and sweat, and earwax grimed. No object Strephon's eye escapes, Here petticoats in frowzy heaps; Nor be the handkerchiefs forgot AII varnished o'er with snuff and snot. The stockings why should | expose, Stained with the marks of stinking toes; Or greasy coifs and pinners reeking, Which Celia slept at least a week in? (excerpt) Thou know'st my praise of nature most sincere, And that my raptures are not conjur'd up To serve occasions of poetic pomp, But genuine, and art partner of them all. How oft upon yon eminence our pace Has slacken’d to a pause, and we have borne The ruffling wind, scarce conscious that it blew, While admiration, feeding at the eye, And still unsated, dwelt upon the scene. Thence with what pleasure have we just discern’d The distant plough slow-moving, and beside His lab’ring team, that swerv’d not from the track, The sturdy swain diminish'd to a boy! Here Ouse, slow winding through a level plain Of spacious meads with cattle sprinkled o'er, Conducts the eye along its sinuous course Delighted. There, fast rooted in his bank, Stand, never overlook'd, our fav'rite elms, That screen the herdsman's solitary hut; While far beyond, and overthwart the stream That as with molten glass inlays the vale, The sloping land recedes into the clouds; Displaying on its varied side the grace Of hedge-row beauties numberless, square tow'r, Tall spire, from which the sound of cheerful bells Just undulates upon the list'ning ear, Groves, heaths, and smoking villages remote. Scenes must be beautiful which daily view'd Please daily, and whose novelty survives Long knowledge and the scrutiny of years. Praise justly due to those that | describe. But though true worth and virtue, in the mild And genial soil of cultivated life Thrive most, and may perhaps thrive only there, Yet not in cities oft. In proud and gay And gain-devoted cities; thither flow, As to a common and most noisome sewer, The dregs and faeculence of ev’ry land. In cities foul example on most minds Begets its likeness. Rank abundance breeds In gross and pamper'd cities sloth and lust, And wantonness and gluttonous excess. In cities, vice is hidden with most ease, Or seen with least reproach; and virtue, taught By frequent lapse, can hope no triumph there Beyond th' atchievement of successful flight. I do confess them nurs'’ries of the arts, In which they flourish most: where, in the beams Of warm encouragement, and in the eye Of public note, they reach their perfect size. Such London is, by taste and wealth proclaim’d The fairest capital of all the world, By riot and incontinence the worst. There, touch’d by Reynolds, a dull blank becomes A lucid mirror, in which Nature sees AII her reflected features. Bacon there Gives more than female beauty to a stone, And Chatham's eloquence to marble lips. God made the country, and man made the town: What wonder then, that health and virtue, gifts That can alone make sweet the bitter draught That life holds out to all, should most abound And least be threaten'd in the fields and groves? Possess ye therefore, ye who, borne about In chariots and sedans, know no fatigue But that of idleness, and taste no scenes But such as art contrives, possess ye still Your element; there only ye can shine, There only minds like yours can do no harm. Our groves were planted to console at noon The pensive wand'rer in their shades. At eve The moon-beam, sliding softly in between The sleeping leaves, is all the light they wish, Birds warbling all the music. We can spare The splendour of your lamps, they but eclipse Our softer satellite. Your songs confound Our more harmonious notes: the thrush departs Scar'd, and th’ offended nightingale is mute. There is a public mischief in your mirth, It plagues your country. Folly such as your's, Grac'd with a sword, and worthier of a fan, Has made, which enemies could ne'er have done, Our arch of empire, steadfast but for you, A mutilated structure, soon to fall. Astrophil and Stella 1: Loving in truth, and fain in verse my love to show BY sIR PHILIP SIDNEY Loving in truth, and fain in verse my love to show, That she, dear she, might take some pleasure of my pain,— Pleasure might cause her read, reading might make her know, Knowledge might pity win, and pity grace obtain, — I sought fit words to paint the blackest face of woe; Studying inventions fine her wits to entertain, Oft turning others' leaves, to see if thence would flow Some fresh and fruitful showers upon my sunburn'd brain. But words came halting forth, wanting invention's stay; Invention, Nature's child, fled step-dame Study's blows; And others' feet still seem'd but strangers in my way. Thus great with child to speak and helpless in my throes, Biting my truant pen, beating myself for spite, "Fool," said my Muse to me, "look in thy heart, and write."
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