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James Joyce: The Irish Rebel and His Literary Works, Appunti di Inglese

James joyce, born in 1882, was a revolutionary irish writer known for his poetic works and novels that revolted against formality and actuality. His life was marked by rebellion, contrasting him with his contemporaries, and he had two children with his long-term partner, nora barnacle. Joyce's works, including dubliners, a portrait of the artist as a young man, and ulysses, explore the inner world of characters, the passage of time, and the objective rendering of life. This document delves into the most important features of joyce's works, the evolution of his style, and the significance of epiphany in his writing.

Tipologia: Appunti

2018/2019

Caricato il 02/08/2019

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Scarica James Joyce: The Irish Rebel and His Literary Works e più Appunti in PDF di Inglese solo su Docsity! JAMES JOYCE 1882 - 1941 'Poetry, even when apparently most fantas�c, is always a revolt against ar�fice, a revolt, in a sense, against actuality.' LIFE - A rebel among rebels - Contrast with Yeats and the other literary contemporaries who tried to rediscover the Irish Cel�c iden�ty - He had two children, Giorgio and Lucia, with his long.�me partner, Nora Barnacle, whom he eventually married - He le� Dublin at the age of twenty-two and he se�led for some �me in Paris, the in Rome and later in Trieste, where he made friends with Italo Svevo and finally in Zurich THE MOST IMPORTANT FEATURES OF JOYCE'S WORKS - The se�ng of most of his works -> Ireland, especially Dublin - He rebelled against the Catholic Church - All the facts in his narra�ves -> explored from different points of view simultaneously Isola�on and detachment of the ar�st from society: 1. Greater importance given to the inner world of the characters 2. Time -> perceived as subjec�ve 3. His task -> to render life objec�vely THE EVOLUTION OF JOYCE'S STYLE Dubliners (1914) - Realism - Disciplined prose - Different points of view - Free-direct speech A PORTRAIT OF THE ARTIST AS A YOUNG MAN (1916) - Third-person narra�on - Minimal dialogue - Language and prose used to portray the protagonist's state of mind - Free-direct speech ULYSSES (1922) - Interior monologue with two levels of narra�on - Extreme interior monologue DUBLIN - The Dublin represented by Joyce is not fixed and sta�c, it is 'the revolu�onaty montage of 'Dublins' through a range of historical juxtaposi�ons and varied styles' - The 15 stories of the Dubliners, though set in the same city, are not united by their geography: EACH STORY HAS A SINGULAR LOCATION - The evoca�on of his town is A Portrait is deeply influenced by Joyce's prolonged temporak and spa�al distance; Dublin is filtered through Stephen's mind - in Ulysses, Dublin overwhelms the reader DUBLINERS - Published in 1914 in the newspaper The Irish Homestead by Joyce with the pseudonym Stephen Dedalus - Dubliners are described as afflicted people - All the stories are set in Dublin -> 'The city seemed to me the centre of paralysis' DUBLINERS -> STRUCTURE AND STYLE PARALYSIS/ESCAPE: 1. CHILDHOOD - The sisters - An Encounter - Araby 2. ADOLESCENCE - A�er the Race - The Boarding House - Eveline - Two Gallants 3. MATURE LIFE - A Li�le Cloud - Clay - Counterparts - A Painful Case 4. PUBLIC LIFE - Ivy Day in the Commi�ee Room - A mother - Grace - The Dead DUBLINERS -> NARRATIVE TECHNIQUE AND THEMES - Naturalis�c, concise, detailed descrip�ons - Naturalism combined with symbolism -> double meaning of details - Each story opens in MEDIAS RES and is mostly told from the perspec�ve of a character - Use of free direct speech and free direct thought -> direct presenta�on of the character's thoughts - Different linguis�c registers -> the language suits the age, the social class and the role of the characters - Use of epiphany -> 'the sudden spiritual manifesta�on' of an interior reality - Themes -> paralysis and escape - Absence of a didac�c and moral aim because of the impersonality of the ar�st DUBLINERS -> EPIPHANY Joyce's aim -> to take the reader beyond the usual aspects of life through EPIPHANY: - it is the special moment in which a trivial gesture, an external object or a banal situa�on or an episode lead the character to a sudden self-realisa�on about himself/herself or about the reality surrounding him/her - Understanding the epiphany in each story is the key to the story itself DUBLINERS -> EVELINE - Eveline -> passive, influenced by her family's mentality - Her father -> a violent and strict man (HER FEAR) - Her mother -> conserva�ve (HER DUTY) - Frank -> Eveline's faicè, a very kind, open-hearted and brave boy (HER UNKNOWN FUTURE) -> An�thesis between Eveline's house and her new one in Buenos Aires (PARALYSIS/ESCAPE) - The story opens in medias res -> 'She sat at the window watching the evening invade the avenue' - Third-person narrator but Eveline's point of view - Subjec�ve percep�on of �me - Epiphany -> a street organ which reminds Eveline of the promise she made to her dying mother - Symbolic words -> DUST (decay, paralysis) and SEA (ac�on, escape) Themes: - struggle between one's happiness and one's responsibility - dream VS reality - ac�on and inac�vity - paralysis and the failure to find a way out of it DUBLINERS -> THE DEAD The protagonists: Gabriel Conroy, an embodiment of Joyce himself, and Gre�a, his wife. Gabriel's marriage is clearly suffering from paralysis. Epiphany -> the song 'The Lass of Aughrim', reminds Gre�a of a young man, Micheal Furey, who died for her when he was seventeen years old (Gabriel understands he is deader than Michael Furey in Gre�a's mind) The imagery:
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