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The Lives and Literary Careers of Hanif Kureishi and Wole Soyinka: A Comparative Analysis, Sintesi del corso di Inglese

Nigerian LiteratureComparative LiteratureBritish LiteraturePostcolonial Literature

An in-depth look into the lives and literary careers of two prominent writers, hanif kureishi and wole soyinka. Their early years, education, and the beginning of their writing careers. It highlights their achievements, awards, and notable works. Kureishi's experiences as a british-pakistani writer and his controversial novels are discussed, as well as soyinka's satirical and serious plays that reflect his political activism and disillusionment with african society.

Cosa imparerai

  • What were the early experiences and education of Hanif Kureishi and Wole Soyinka?
  • How did the backgrounds and experiences of Hanif Kureishi and Wole Soyinka influence their writing?
  • What are some notable works and achievements of Hanif Kureishi and Wole Soyinka?

Tipologia: Sintesi del corso

2018/2019

Caricato il 04/05/2019

ClaudiaPizzuto
ClaudiaPizzuto 🇮🇹

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Scarica The Lives and Literary Careers of Hanif Kureishi and Wole Soyinka: A Comparative Analysis e più Sintesi del corso in PDF di Inglese solo su Docsity! KUREISHI Kureishi was born in Bromley, South London, to a Pakistani father, Rafiushan (Shanoo) Kureishi, and an English mother, Audrey Buss. His father was from a wealthy Madras family, most of whose members moved to Pakistan after the Partition of British Indiain 1947. Rafiushan came to the UK in 1950 to study law but for financial reasons worked at the Pakistani embassy instead. Here he met his wife-to-be, Buss. He wanted to be a writer but his ambitions were frustrated. The couple were married, the family settled in Bromley where Kureishi was born. In interview, Kureishi notes: My [paternal] grandfather, an army doctor, was a colonel in the Indian army. Big family. Servants. Tennis court. Cricket. Everything. My father went to the Cathedral School that Salman Rushdie went to. Later, in Pakistan, my family were close to the Bhuttos. My uncle Omar was a newspaper columnist and the manager of the Pakistan cricket team.... My grandfather, the colonel, was terrifying. A hard-living, hard-drinking gambler. Womanising. Around him it was like The Godfather. They drank and they gossiped. The women would come and go. Hanif Kureishi attended Bromley Technical High School and studied for A-levels at Bromley College of Technology.[6] While at this college he was elected as Student Union President (1972) and some of the characters from his semi-autobiographical work The Buddha of Suburbia are from this period. He went on to spend a year studying philosophy at Lancaster University before dropping out.[6] Later he attended King's College London and earned a degree in philosophy. Career Kureishi started his career in the 1970s as a pornography writer,under the pseudonyms Antonia French and Karim. He went on to write plays for the Hampstead Theatre, Soho Poly and by the age of 18 was with the Royal Court. He wrote My Beautiful Laundrette in 1985, a screenplay about a gay Pakistani-British boy growing up in 1980s London for a film directed by Stephen Frears. The screenplay, especially the racial discrimination experienced, contained elements from Hanif's own experiences as the only Pakistani student in his class at school. It won the New York Film Critics Best Screenplay Award and an Academy Award nomination for Best Screenplay. He also wrote the screenplay for Sammy and Rosie Get Laid (1987). His book The Buddha of Suburbia (1990) won the Whitbread Award for the best first novel and was made into a BBC television series with a soundtrack by David Bowie. 1991 saw the release of the feature film entitled London Kills Me, written and directed by Kureishi. His novel Intimacy (1998) revolved around the story of a man leaving his wife and two young sons after feeling physically and emotionally rejected by his wife. This created some controversy as Kureishi had recently left his own partner (the editor and producer Tracey Scoffield) and two young sons; it was assumed to be at least semi-autobiographical. In 2000/2001 the novel was adapted to a movie Intimacy by Patrice Chéreau, which won two Bears at the Berlin Film Festival: a Golden Bear for Best Film and a Silver Bear for Best Actress (Kerry Fox). It was controversial for its explicit sex scenes. The book was translated into Persian by Niki Karimi in 2005. Kureishi's drama The Mother was adapted to a movie by Roger Michell, which won a joint First Prize in the Director’s Fortnight section at Cannes Film Festival. It showed a cross-generational relationship with changed roles: a seventy-year-old English lady and grandmother (played by Anne Reid) who seduces her daughter's boyfriend (played by Daniel Craig), a thirty-year-old craftsman. Explicit sex scenes were shown in realistic drawings only, thus avoiding censorship. His 2006 screenplay Venus saw Oscar, BAFTA, Screen Actors Guild, Broadcast Film Critics Association and Golden Globe nominations for Peter O'Toole in the best actor category. A novel entitled Something to Tell You was published in 2008. His 1995 novel The Black Album, adapted for the theatre, was performed at the National Theatre in July and August 2009. In May 2011, he was awarded the second Asia House Literature Award on the closing night of the Asia House Literary Festival where he discussed his Collected Essays(Faber). Kureishi has also written non-fiction, including autobiography. As noted by Cathy Galvin in The Telegraph: "But at the core of his life, as described in his memoir, My Ear at His Heart, is Kureishi’s relationship with his father, Rafiushan, who died in 1991."
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