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The Importance of Being Earnest: A Debate on Marriage and Morality in Oscar Wilde's Play, Appunti di Letteratura

Oscar wilde's the importance of being earnest explores the themes of marriage and morality through the characters' discussions and actions. The play delves into the nature of marriage, the constraints of morality, and the contrast between hypocrisy and inventiveness. Marriage is a central theme that drives the plot and serves as a subject for philosophical speculation. Characters debate whether it is a matter of business or pleasure, and assumptions about its purpose reflect victorian societal norms. Morality and the constraints it imposes on society is another favorite topic of conversation. Wilde satirizes the victorian idea of morality as a rigid set of rules and highlights the importance of irreverence. The play's characters, such as algernon and jack, create deceptions and invent fictitious alter egos to escape societal expectations, questioning the true meaning of earnestness and morality.

Tipologia: Appunti

2018/2019

Caricato il 16/08/2019

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Scarica The Importance of Being Earnest: A Debate on Marriage and Morality in Oscar Wilde's Play e più Appunti in PDF di Letteratura solo su Docsity! Themes are the fundamental and often universal ideas explored in a literary work. The Nature of Marriage Marriage is of paramount importance in The Importance of Being Earnest, both as a primary force motivating the plot and as a subject for philosophical speculation and debate. The question of the nature of marriage appears for the first time in the opening dialogue between Algernon and his butler, Lane, and from this point on the subject never disappears for very long. Algernon and Jack discuss the nature of marriage when they dispute briefly about whether a marriage proposal is a matter of “business” or “pleasure,” and Lady Bracknell touches on the issue when she states, “An engagement should come on a young girl as a surprise, pleasant or unpleasant, as the case may be.” Even Lady Bracknell’s list of bachelors and the prepared interview to which she subjects Jack are based on a set of assumptions about the nature and purpose of marriage. In general, these assumptions reflect the conventional preoccupations of Victorian respectability—social position, income, and character. The play is actually an ongoing debate about the nature of marriage and whether it is “pleasant or unpleasant.” Lane remarks casually that he believes it to be “a very pleasant state,” before admitting that his own marriage, now presumably ended, was the result of “a misunderstanding between myself and a young person.” Algernon regards Lane’s views on marriage as “somewhat lax.” His own views are relentlessly cynical until he meets and falls in love with Cecily. Jack, by contrast, speaks in the voice of the true romantic. He tells Algernon, however, that the truth “isn’t quite the sort of thing one tells to a nice, sweet, refined girl.” At the end of the play, Jack apologizes to Gwendolen when he realizes he had been telling the truth all his life. She forgives him, she says, on the grounds that she thinks he’s sure to change, which suggests Gwendolen’s own rather cynical view of the nature of men and marriage. The Constraints of Morality Morality and the constraints it imposes on society is a favorite topic of conversation in The Importance of Being Earnest. Algernon thinks the servant class has a responsibility to set a moral standard for the upper classes. Jack thinks reading a private cigarette case is “ungentlemanly.” “More than half of modern culture depends on what one shouldn’t read,” Algernon points out. These restrictions and assumptions suggest a strict code of morals that exists in Victorian society, but Wilde isn’t concerned with questions of what is and isn’t moral. Instead, he makes fun of the whole Victorian idea of morality as a rigid body of rules about what people should and shouldn’t do. The very title of the play is a double-edged comment on the phenomenon. The play’s central plot—the man who both is and isn’t Ernest/earnest—presents a moral paradox. Earnestness, which refers to both the quality of being serious and the quality of being sincere, is the play’s primary object of satire. Characters such as Jack, Gwendolen, Miss Prism, and Dr. Chasuble, who put a premium on sobriety and honesty, are either hypocrites or else have the rug pulled out from under them. What Wilde wants us to see as truly moral is really the opposite of earnestness: irreverence. Hypocrisy vs. Inventiveness
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