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Ulysses di James Joyce, Appunti di Inglese

Il romanzo Ulysses di James Joyce, pubblicato nel 1922, è considerato un capolavoro della letteratura e ha suscitato numerosi commenti e analisi. Il libro è costruito come un parallelo moderno all'Odissea di Omero e racconta le vicende di tre personaggi principali in un solo giorno a Dublino. Il romanzo esplora i pensieri umani e sfida le convenzioni e i limiti del linguaggio.

Tipologia: Appunti

2021/2022

In vendita dal 07/04/2023

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10 documenti

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Scarica Ulysses di James Joyce e più Appunti in PDF di Inglese solo su Docsity! Ulysses, novel by Irish writer James Joyce, first published in book form in 1922. Stylistically dense and exhilarating, it is generally regarded as a masterpiece and has been the subject of numerous volumes of commentary and analysis. The novel is constructed as a modern parallel to Homer’s Odyssey. All the action of Ulysses takes place in and immediately around Dublin on a single day (June 16, 1904). The three central characters— Stephen Dedalus (the hero of Joyce’s earlier Portrait of the Artist as a Young Man); Leopold Bloom, a Jewish advertising canvasser; and his wife, Molly—are intended to be modern counterparts of Telemachus, Ulysses (Odysseus), and Penelope, respectively, and the events of the novel loosely parallel the major events in Odysseus’s journey home after the Trojan War. One of humanity's great masterpieces, James Joyce's Ulysses celebrates the strength of spirit required to endure the trials of everyday life, exploring the patterns of human thought while also fostering an appreciation for differences between people. Written in a revolutionary style, the novel challenges the conventions and limits of language. Famously, not much happens in this book, yet all of life is contained in its pages.  In terms of plot, the novel depicts the events of one day (June 16th, 1904) in one smallish European city (Dublin, Ireland) through, mostly, the consciousness of two men (Stephen Dedalus, 22, and Leopold Bloom, 38).  Nineteen hours pass.   Stephen has breakfast with his roommates, teaches a class, goes for a walk, engages in scholarly conversation with other intellectuals, gets drunk, goes to a brothel, and gets knocked out for speaking loosely to a belligerent British soldier (Ireland is under English rule).  Oh, and Stephen is haunted by the recent death of his mother, for whom he refused to pray on account of his rejection of religion.   Mr. Bloom makes breakfast for himself and his wife, Molly, runs some errands in town, attends a funeral, does some business (he works in advertising), has lunch, gets into a political argument with an Irish Nationalist in a pub, "relaxes" on the beach for an hour at sunset, visits a maternity hospital where a friend is in labor, crosses paths with drunk Stephen and decides that he should look after him.  Oh, and Bloom's wife has sex with another man in the afternoon.  And Bloom knows about it.   By experiencing these events through the inner-monologue of these characters, we access Stephen and Bloom's unfiltered thoughts on the people and places they encounter, their memories of past joys and pains, and their concerns about the future.  Even the most unremarkable moments (taking a sip of wine or eavesdropping on a passing bicyclist) can trigger a remarkable passage of literary expression. While reading (and, ultimately, finishing) this novel requires some measure of dedication, the rewards are well worth the effort.  This website aims to mitigate some of the challenges posed by this book by supporting and informing the reader. This site is by no means an exhaustive study of the novel, yet I hope to offer a few ideas that devoted Joyceans might find engaging while orienting the majority of the content toward the first time reader of Ulysses. While the allusions to the ancient work that provides the scaffolding for Ulysses are occasionally illuminating, at other times they seem designed ironically to offset the often petty and sordid concerns that take up much of Stephen’s and Bloom’s time and continually distract them from their ambitions and aims. The book also conjures up a densely realized Dublin, full of details, many of which are—presumably deliberately— either wrong or at least questionable. But all this merely forms a backdrop to an exploration of the inner workings of the mind, which refuses to acquiesce in the neatness and certainties of classical philosophy.
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